• (1) Presonus StudioChannel Studio Channel Recording Vacuum Tube Mic Preamp Strip
• (1) Rockville DMS40 40" Microphone Boom Arm Studio Podcast USB Mic Stand+Desk Clamp
• (1) Rockville RockShield 1 Studio Microphone Isolation Shield w/Sound Dampening Foam
• (2) Rockville RCXFM20E-B 20 Foot Female to Male XLR Mic Cables Black 100% Copper

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Video of STUDIOCHANNEL:

Features Summary:

Description:

The Studio Channel is a professional channel strip combining Class A tube preamplifier, VCA-based compressor and three-band parametric equalizer perfect for the professional and project studio. Great for all types of microphones, instruments, keyboards and synths, the Studio Channel has the sonic power and flexibility to achieve any tone you can dream of – luscious in your face vocals, crystal clear acoustic guitars, fat solid bass guitar, dynamic acoustic piano, cracking snare, punchy bass, huge MPC tracks and more.

Enhance your signal path
The Studio Channel noticeably outperforms preamplifiers that are built-in to most recording interfaces and affordable mixers. Add a VCA-based compressor and studio-grade equalizer to the class A tube preamp and you get not only big fat tube tonality but also complete control of your tone and sounds. Since much of the recording process is accomplished one track at a time, you need a signal path that can deliver a variety of high quality tones and sounds, which is why the Studio Channel is the perfect tool for any studio.

Class A Tube Preamplifier
The Studio Channel has everything needed to deliver big tone. The preamplifier stage of the Studio Channel is based on the award winning BlueTube preamplifier with a high output 12AX7 vacuum tube operating on voltages double than all other preamplifiers in its class delivering high headroom and big tone. Dual control Gain and Tube Drive enables a wide range of sounds from transparent and clear to edgy and overdriven.

Full Featured VCA Compressor
The compressor in the Studio Channel is a fully variable ultra-fast and smooth VCA-based circuit with all of the controls needed for a wide range of compression settings: ratio, threshold, attack, release and gain make up. The VCA-based compressor is known for musicality as well as ultra fast attack with the ability to tame the fastest transients. From slap bass, to snare drum, to vocals, the Studio Channel’s compressor stage allows you to record as hot as needed without clipping giving you total dynamic control.

Three Band Parametric EQ
The equalizer in the Studio Channel is like a Swiss Army pocket knife, with the ability to carve out unwanted frequencies as well as tailor your tone to enhance your sound. The custom-designed amplifiers in the EQ deliver sweet-sounding gain/cut for ultra smooth highs, deep solid lows and clear midrange. The mid-band of the EQ section has variable Q for controlling the width around the center point of the selected frequency. High and low frequency bands give you the option for selecting peak/dip or shelving frequencies.

Technical Specifications:

	Channels	One
	Dynamic Range	>115 dB
	Frequency Response	10 Hz to 50 kHz
	Internal Operating Level	0 dBu = 0 dB
Microphone Preamp
	Gain	-6 dB to +66 dB (+/- 10dB trim on line input)
	Noise Floor	-96 dBu
	EIN	-126 dB
	THD + Noise (0% Tube Drive)	< 0.050%
	THD + Noise (100% Tube Drive)	< 0.10%
	Microphone Input Connector	XLR
	Microphone Input Impedance	1.3 kΩ
	Instrument Input Connector	¼” TS
	Instrument Input Impedance	1 MΩ
	Line Input Connector	¼” TRS
	Line Input Impedance	10 kΩ
	Phantom Power (switchable)	+48V
	Pad (switchable)	0 dB / -20dB
	Phase (switchable)	0°, 180°
	Hi-pass filter (switchable)	-3 dB at 80 Hz
Compressor
	Threshold (variable)	-40 dBu to +2- dBu
	Ratio (variable)	1-10 (1:1 to 2:1)
	Attack (variable)	0.1 to 200 ms
	Release (variable)	0.05 ms to 3 S
	Gain Make Up	-10 dB to +10 dB
	Metering	Analog VU (Gain Reduction / Output)
Equalizer
LF Band Controls:
	Frequency	Variable from 40 Hz to 500 kHz
	Gain	Variable between ±10 dB
	Q	0.7 (on ‘peak’ setting)
MF Band Controls:
	Frequency	Variable from 200 Hz to 3 kHz
	Gain	Variable from -10 dB to +10 dB
	Q	Variable from 0.7 to 2.5
HF Band Controls:
	Frequency	Variable from 2 kHz to 20 kHz
	Gain	Variable between ±10 dB
	Q	0.7 (on ‘peak’ setting)
Master
	Output Fader	-80 dB to +10 dB
	Output Connectors	XLR Balanced and ¼” TRS Balanced/Unbalanced
	Output Impedance	51 Ω
	Metering (Output level)	Analog VU (-20 dBu to +6 dBu)
	Metering (Gain Reduction)	Analog VU -20 dB to 0 dB
	Output Headroom	+22 dBu
Power Supply
	Type	Linear
	Input	16 VAC / 1000mA
	Power Requirements (Continuous)	16W
	Transformer	External (country specific)
Physical
	Size	1U Rack
	Dimensions	19” x 1.75” x 5.5”
	Weight	5 lbs

 

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How to Set Up DMS40:

Video of DMS40:

The Rockville DMS40 desktop microphone boom arm is the perfect accessory for any podcast, home studio setup, or broadcasting studio. Its rotating design provides a maximum arm reach of 40" giving you freedom to place your mic anywhere you want!

Our designers used the most sturdy and long lasting clamps and springs, with durable steel construction.

Features:

• Rockville DMS40 40" Studio Desk Clamp Microphone Stand w/Boom Arm 
  
• Articulating microphone boom arm
  
• Suitable for studios, broadcasting, podcasting, and more
  
• Arms: 20"+20" arm length for adjustment
  
• C-shape desk clamp is made of aluminum alloy 
  
• Fits any desk less than 2 inch thick
  
• ABS plastic mic clip
  
• You can set the base of the stand on the desk firmly and adjust to your favorite position
  
• High quality steel frame is sturdy and durable
  
• Internal springs for silent and effortless positioning

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Video of RCXFM20E-B:

Description:

All Rockville pro audio cables are made with 100% copper which boosts the efficiency of the cable. There is nothing better than 100% copper. Most of the cheaper cables on the market do not use 100% copper, instead they make their cables with CCA (Copper Clad Aluminum). CCA cables do not perform on the level that 100% copper cables perform at. CCA will not conduct signals efficiently. A 12 gauge CCA cable will not even perform as well as a 14 gauge 100% pure copper cable, which will in turn, affect the performance and longevity of your equipment. If you find cables on the market that do not mention the copper content, there is a good chance that they are selling you a cheaper cable that is CCA and not 100% copper. Rockville pays an inspection company to oversee the manufacturing of the product to ensure that we provide a 100% Oxygen Free Copper Cable (OFC). Our OFC cables are less prone to oxidation, and will provide maximum signal transfer.
 
 The other important factor of a cable is the shielding. Most of the good brands on the market have about 85% shielding coverage, so we decided to take our shielding a step further. Rockville cables are shielded with a tight copper mesh, covering 90% of the cable! The high percentage of coverage increases the ability to absorb the Electromagnetic Interference (EMI) and Radio Frequency Interference (RFI) that suppresses signal and degrades the performance of equipment. Rockville Cable’s copper shielding provides great flexibility, maintains a durable structural integrity, while decreasing signal interference ensuring enhanced signal clarity with every use.

Features:

• Rockville RCXFM20E-B Black 20 Foot Nickel Plated Female to Male XLR Microphone Cable
• XLR Connectors with Internal Strain Relief for Rugged Reliability
• 100% Copper Conductors for Enhanced Signal Clarity
• 90% OFC Spiral Shield for Effective EMI and RFI Rejection and Flexibility
• Length: 20 Ft
• Color: Black

About Rockville Quality Control Procedures:

The Rockville brand stands for Quality, Innovation and Value. All Rockville products go through the most rigorous quality control standards in the industry. Products go through months of extensive testing before they reach your hands. All user functions are tested and all internal components are tested for quality. Rockville makes products that are virtually un-breakable! Rockville is one of the only brands in its class to test every concept model for weeks or months before starting production. Once production begins, Rockville sends product engineers to their factory to quality control every line of production. During production every product is tested and on top of that Rockville goes the extra mile and has their high level product engineers do an additional quality control. They test a certain percentage of all products from the production line a second time to ensure that the quality meets their vigorous standards, and to make sure that there is never a batch of products with even a slight problem. All Rockville  monitors are backed with a full one year warranty, though it is unlikely that you will need to use it.

Video of RockShield 1:

How to Set Up Your RockShield 1:

What's In The Box:

• 3 Panel Mic Isolation Shield
• Hardware to Mount unit to your mic stand
• 5/8” Mic Adapter and 3/8” Mic Adapter
• All metal Tripod Desktop mic attachment

Description:

Rockville’s RockShield 1 compact studio microphone isolation shield is the latest addition to our ever growing line of Pro Audio studio accessories. Featuring 1.5-inch-thick high density acoustic foam, the RockShield1 keeps unwanted outside audio waves and vibrations from affecting your recording. By creating an acoustic boundary around the microphone, vocal audio flow is improved. Your voice is redirected to the microphone, while room reflections are prevented from directly entering the recording area. The end result is you will achieve a crisper and cleaner sound. This shield can be mounted to compatible microphone stands or used in a fixed location, like a counter top or tabletop. Easy installation and studio quality performance will quickly make the RockShield 1 your go-to sound dampening isolation shield.

Features:

• Rockville RockShield 1 Studio Microphone IsolationShield with Sound Dampening Foam
• Number of Panels: 3 Pieces
• Dimensions Each Panel: 8.2'' x 4.5'' inches
• Dimensions Assembled Unit: 11'' x 4.3” x 16.3” inches
• Keeps Excessive Room ambience and Off Axis Sound from interfering with your microphone when recording acoustic and vocal tracks
• Isolates Directional Microphones from Off Axis Coloration
• Limits External Bleed from Unintended Sound Sources
• 1.5" Thick High Density Pyramid Acoustic Foam
• Front and a vented metal back plate for the Best Noise Reflection Reduction
• Can be used in fixed location
• Stand Mountable
• Provides Vocal Booth Style Recordings with Minimal Footprint
• Professional Studio-Grade
• Rugged Finish Makes This Easy to Transport
• Tri-Pod Foot Design for Stability on Flat Surfaces
• 3/8” Die-Cast Metal Threads
• Mic Stand with 5/8” Adapter
• The shield frames are made of high strength die cast aluminum
• Net plates are made of high grade steel
• Net Weight (Without Tripod Stand): 1.1 lbs
• Net Weight (With Tripod Stand): 2.0 lbs

Owner’s Manual