Package Includes:

• (1) Presonus StudioLive AR12 14-Channel USB Hybrid Live Sound/Studio Recording Mixer
• (6) Presonus HD7 Professional Studio Monitoring Headphones Semi-Closed Back
• (6) Audio Technica AT2020 Studio Recording Microphone-Cardioid Condenser Mic
• (1) Presonus HP60 6-Channel Amplifier Headphone Amp w/ Talkback & A/B Input Mix
• (6) Rockville DMS40 40" Microphone Boom Arm Studio Podcast USB Mic Stand+Desk Clamp
• (6) Rockville RCXFM20E-B 20 Foot Female to Male XLR Mic Cable Black 100% Copper

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How to Setup Your Podcast:

How to Set Up a Podcast in Under 60 Seconds :

 

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Authorized Presonus Dealer!

Videos of SLMAR12:

 Buy any eligible PreSonus interface or mixer and get the Studio Magic Plug-In Suite ABSOLUTELY FREE

The Studio Magic plug-in suite contains 7 of the hottest plug-ins on the market:

-           Brainworx opto_bx compressor
-           SPL Attacker
-           Maag Audio EQ2
-           Lexicon MPX-i Reverb
-           Eventide Clockworks H910 Harmonizer
-           Eventide Stereo Room Reverb
-           Arturia Analog Lab Lite

You don’t even need to send in a rebate form - the Studio Magic Suite will appear in your account for download along with Studio One 3 Artist when you register your mixer or interface by creating an account at my.presonus.com.

View Plug-In Offer Here

Description:

Built by musicians, for musicians.

StudioLive AR12 USB 14-channel hybrid mixers make it simple to mix and record live shows, studio productions, band rehearsals, podcasts, and much more. This is a musician’s mixer: lightweight, versatile, feature-rich, and packed with analog connections and digital tools, yet easy to learn and use. Mix with PreSonus’ famous Class A preamps and three-band EQ. Create multitrack recordings and fly in backing tracks with a 24-bit, 96 kHz, USB 2.0 digital audio interface. Record and playback in stereo with the integrated SD digital recorder. Stream program music wirelessly, using onboard Bluetooth. Compact and road-ready, StudioLive AR mixers provide a superior all-in-one solution for mixing and recording your performances.

All of the connections and controls you need.
StudioLive AR12 USB mixers are packed with the connections and controls needed to mix and record live, in the studio, and in rehearsal. Each of the four mono channels and four stereo channels includes a 60 mm fader for level control; a mic input with one of PreSonus’ prized Class A preamps; three-band EQ; and more. Besides the main outputs, you get two monitor mix outputs, each with a dedicate bus, for feeding stage wedges, a headphone amp, or an in-ear system. Since the StudioLive AR12 USB is also a studio mixer, you also get control-room outputs with level control to feed your studio monitors.

Plug guitars and basses directly into the mixer.
Most mixers make you route acoustic and electric guitars and basses through external direct boxes before connecting to a mixer input. But with StudioLive AR mixers, Channels 1 and 2 have high-impedance instrument inputs, so you can plug a guitar or electric bass straight into the board—no direct box needed.

It’s inputs; it’s playback; it’s the Super Channel!
Our unique Super Channel (stereo Channel 13/14) allows you to connect four stereo analog and digital sources at once, enabling you to use the mixer with your high-tech devices. Plug a media player into the Super Channel’s unbalanced RCA and 1/8-inch stereo inputs, play stereo audio from the onboard SD recorder or from your USB-connected Mac or Windows PC. Use onboard Bluetooth 4.1 to pair your phone to your StudioLive AR mixer and instantly have wireless access to your music library for break music, backing tracks, or ear-training. Have a song you want the rest of the band to learn? Pair your phone and start rehearsing!

Record in the studio or at the gig—with or without a computer.
Naturally, you want to record your gigs, as well as producing studio projects, podcasts, and so on. It’s smart to record your rehearsals, too. So StudioLive AR mixers offer two different ways to record. Connect a StudioLive AR12 USB mixer to your computer via USB 2.0, and you have a 14x4 multitrack digital recorder, ready to capture all input channels plus the main mix to a Mac or Windows PC with professional, 24-bit/96 kHz quality. An onboard stereo SD recorder lets you record the main mix without a computer—just hit Record and go. Recording can’t get much easier than this!

Fly in backing tracks and play break music, too!
Both the integrated USB recording interface and the SD recorder have multiple uses beyond simply recording. With just a few backing tracks, your small band can sound like a much larger act, so we enabled the USB interface to play back two stereo streams through the mixer—great for backing tracks, click tracks, or program music. Use the SD recorder to play up to 32 GB of MP3 and .WAV files for hours of program music or backing tracks without needing a computer. And don’t forget the Bluetooth feature in the Super Channel, which lets you play break music straight from your smartphone. With several ways to get the job done, you can work the way you want to.

Integrated software makes recording a snap.
PreSonus StudioLive AR mixers are tightly integrated with state-of-the-art recording software to help you achieve your creative vision. Record with PreSonus’ Capture live-recording software, then edit in our award-winning Studio One Artist DAW (recording and production software); both are included free.

Sweeten with digital effects for a polished, professional-caliber sound.
To get a great mix, you need high-quality effects. The StudioLive AR12 USB has you covered with an internal stereo effects processor with 16 presets, including an assortment of room, hall, and plate reverbs; chorus and delay effects; even a preset that emulates an acoustically treated studio room to provide a warmer, more intimate tone. A dedicated effects return, complete with master level fader and dedicated monitor sends, lets you adjust the amount of the effects in your main and monitor mixes. You can even bypass the effects with a footswitch (optional). It’s just another way that StudioLive AR mixers enable you to build professional-quality mixes and recordings quickly and easily.

A complete solution that’s compact, easy to use, and built for the road.
Compact and built for the road, the StudioLive AR12 USB is an easy-to-use, all-in-one solution for audio mixing and recording. With a wide variety of connections, two ways to record, and a simple, elegant mixing surface, it will quickly become the heart of your live and studio sound systems. Check it out now at your favorite PreSonus dealer!

Features:

• PRESONUS StudioLive AR12 14-Ch. USB Hybrid Digital/Analog Studio Recording Mixer
• Channels and Buses:
• 14-channel mixer
• 4 mono and 4 stereo channels, each with: 60 mm level fader, Pan, Mute, PFL solo
  
• 1 stereo Super Channel (Ch. 13/14)
  
• 2 monitor buses with PFL solo
  
• 1 stereo effects bus
  
• 1 stereo effects return with: 60 mm master fader, Dedicated monitor sends, Effects bypass footswitch jack
  
• Inputs and Outputs:
  
• 2 instrument inputs
  
• 12 balanced line inputs
  
• 2 unbalanced inserts
  
• 8 balanced mic inputs with: Class A microphone preamp, Global 48V phantom power
  
• Stereo Super Channel with: Stereo RCA inputs, 1/8-inch stereo input, Switchable SD/USB stereo playback, Bluetooth 4.1 input
  
• L/R XLR main outputs
  
• 2 balanced TRS monitor outputs
  
• 1 balanced TRS effects output
  
• L/R Control Room outputs with level control
  
• Headphone output with level control
  
• Signal Processing:
  
• Highpass filter on every channel
  
• Mono channels: 3-band semi-parametric EQ with sweepable mid-band
  
• Stereo channels: 3-band semi-parametric EQ
  
• Stereo effects processor with 16 presets
  
• Recording Options:
  
• 14x4 24-bit/96 kHz, USB 2.0 audio recording interface
  
• Record every channel plus the main mix
  
• 2x2 SD recorder
  
• Record main mix
  
• Supports SD and SDHC formats up to 32 GB
  
• Integrated Software:
  
• Capture recording software
  
• Studio One 3 Artist recording and production software (DAW)
  
• Power:
  
• Internal power supply
  
• Standard IEC power connector
  
• Physical:
  
• Sturdy metal construction
  
• 60 mm faders
  
• Rackmount kit optional

Specifications:

• Computer system requirements:
• Mac OS X 10.8.5
• Intel Core 2 Duo processor (Intel Core i3 or faster recommended)
• Windows 7 x64/x86 SP1 +platform update, Windows 8.1 x64/x86, Windows 10 x64/x86
• Intel Core 2 Duo or AMD Athlon X2 processor (Intel Core i3 or AMD Athlon X4 or faster recommended)
• 4 GB RAM (8 GB or more recommended)
• 30 GB hard-drive space (Studio One)
• Internal or external 7200 RPM storage drive highly recommended
• Monitor with 1366x768 resolution (high-dpi monitor recommended)
• Microphone Preamp:
• Type: XLR Female, Class A
• Maximum Input level (unity gain): +22 dBu, ±1.0 dB
• Gain Control Range: Mono Channels: 50 dB, ±1 dB (Unity to +50 dB), Stereo Channels: 40 dB, ± 1 dB (+5 to +45 dB
• Frequency Response to Analog Outputs: 20 Hz to 20 kHz, +0.5/-1.5 dB
• Frequency Response to USB (Direct): 20 Hz to 40 kHz, +0.5/- 1.5 dB
• S/N Ratio to Outputs (+4 dBu): 94 dB
• THD+N (min. gain, A-wtd): < 0.01%
• Input Impedance: 1 kΩ
• EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, A-wtd): < 128 dBu
• Common Mode Rejection Ratio (1 kHz, +55 dB gain): 65 dB
• Phantom Power: +48V, ±3V, Global
• Instrument Inputs:
• Type: ¼” TS Female, Unbalanced, Hi-Z
• Maximum Input Level (min. gain, 1 kHz@0.5% THD+N): +22 dBu ±1.0 dB
• Gain Control Range: 50 dB, ±1 dB (Unity to +50 dB)
• Frequency Response to Analog Outputs: 20 Hz to 20 kHz, +0.5/-1.5 dB
• Frequency Response to USB (Direct): 20 Hz to 40 kHz, +0.5/-1.5 dB
• Dynamic Range (min. gain, A-wtd): > 105 dB dB
• Dynamic Range (mid. Gain, unwtd): > 100 dB
• THD+N (1 kHz, -1 dBFS, A-wtd): < 0.01%
• THD+N (1 kHz, -1 dBFS, unwtd): < 0.01%
• Input Impedance: > 1 MΩ
• Line Inputs:
• Type: ¼” TRS Female, Balanced
• Maximum Input Level (min. gain, 1 kHz@0.5% THD+N): +22 dBu, ±1.0 dB
• Gain Control Range: Mono Channels 50 dB, ±1 dB (-20 to +30 dB), Stereo Channel 50 dB, ±1 dB (-15 to +25 dB)
• Frequency Response to Analog Outputs: 20 Hz to 20 kHz, +0.5/-1.5 dB
• Frequency Response to USB (Direct): 10 Hz to 40 kHz, +0.5/-1.5 dB
• S/N Ratio to Analog Outputs (+4 dBu): 94 dB
• THD+N (1 kHz, -1 dBFS, A-wtd): < 0.01%
• Input Impedance (Balanced): 10 kΩ
• Main, Control Room, Monitor, and FX Outputs:
• Type (Main Outputs): XLR Male, Impedance Balanced
• Type (Control Room, Monitor, FX Outputs): ¼” TRS Female, Balanced
• Rated Output Level (Main Outputs): +24 dBu, ±1.0 dB
• Rated Outputs Level (Control Room, Monitor, FX Outputs): +18 dBu
• Frequency Response: 20 Hz to 20 kHz, +0.5/-1.5 dB
• Dynamic Range (A-wtd): > 108 dB
• THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd): < 0.01%
• Output Impedance: 100 Ω
• Headphone Output:
• Type: ¼” TRS Female, Stereo, Unbalanced
• Maximum Output Level: 150 mW/channel @ 60 Ω
• Frequency Response: 20 Hz to 20 kHz, +0.5/-1.5 dB
• Dynamic Range (A-wtd): > 103 dB
• THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd): < 0.01%
• System Crosstalk:
• Input to Output (Ref = +4dBu, 20 Hz to 20 kHz, unwtd): -85 dBu
  
• Adjacent Channels (Ref = +4 dBu, 20 Hz to 20 kHz, unwtd): -80 dBu
  
• Signal Level LED:
  
• Signal: -50 dBFS (pre-EQ)
  
• Clip: -3.0 dB before clip (pre- or post-EQ)
  
• Graphic EQ:
  
• Low Cut: 100 Hz, -18 dB/Octave
  
• High Shelving: ±15 dB @ 12 kHz
  
• Mid Peaking (Mono Channels): ±15 dB @ 140 Hz to 3.5 kHz (variable)
  
• Mid Peaking (Stereo Channels): ±15 dB @ 2.5 kHz
  
• Mid-Band Q: Fixed, 0.55
  
• Low Shelving: ±15 dB @ 80 Hz
  
• Digital Audio:
  
• Host Interface: USB 2.0
  
• ADC Dynamic Range (Component): 114 dB
  
• ADC Dynamic Range (Measured: A-wtd, 48 kHz): 105 dB
  
• DAC Dynamic Range (Component): 114 dB
  
• DAC Dynamic Range (Measured: A-wtd, 48 kHz): 105 dB
  
• Bit Depth: 24 bits
  
• Internally Supported Sample Rates: 44.1, 48, 88.2, 96 kHz
  
• Jitter: < 80 ps RMS (20 Hz – 20 kHz)
  
• Jitter Attenuation: > 60 dB (1 ns in => 1 ps out)
  
• SD Recorder:
  
• Supported Media Format: FAT16 formatted SD card, FAT32 formatted SDHC card
  
• Media Storage Capacity: SD card: 2 GB; SDHC card: 32 GB
  
• Recording File Format: Stereo WAV
  
• Playback File Formats: Stereo WAV, MP3
  
• Sampling Rate (WAV): 44.1 kHz
  
• Bit Depth (Recorded WAV): 24 bits
  
• Power/Environmental:
  
• Connector: IEC
  
• Physical:
  
• Height: 3.7” (95 mm)
  
• Width: 16” (402 mm)
  
• Depth: 15.4” (390 mm)

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Features Summary of HD7:

• High neodymium resolution drivers
• Precision-tuned acoustic chamber
• Extended bass response
• Built tough to withstand abuse
• Auto-fit head pads
• Comfortable and long-lasting ear pads
• 98" / 2.5m single-side cable
• Optimized pressure
• Lightweight

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Description:

PreSonus' high-definition HD7 headphones take advantage of a patented, semi-open sound chamber to deliver exceptionally deep low frequencies with a balanced and yet powerful bass punch. Whether you're monitoring, tracking or mixing, you can expect impressive sonic performance from your HD7 headphones.

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Description of AT2020:

Audio-Technica’s stringent quality and consistency standards set the AT2020 apart from other mics in its class. Its low-mass diaphragm is custom-engineered for extended frequency response and superior transient response. With rugged construction for durable performance, the microphone offers a wide dynamic range and handles high SPLs with ease. The AT2020: the new standard for affordable side-address studio condensers

Features:

• The price/performance standard in side-address studio condenser microphone technology
• Ideal for project/home-studio applications
• High SPL handling and wide dynamic range provide unmatched versatility
• Custom-engineered low-mass diaphragm provides extended frequency response and superior transient response
• Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
• Pivoting, threaded stand mount attaches securely for easy and precise placement of the microphone

ELEMENT	Fixed-charge back plate, permanently polarized condenser
POLAR PATTERN	Cardioid
FREQUENCY RESPONSE	20-20,000 Hz
OPEN CIRCUIT SENSITIVITY	–37 dB (14.1 mV) re 1V at 1 Pa
IMPEDANCE	100 ohms
MAXIMUM INPUT SOUND LEVEL	144 dB SPL, 1 kHz at 1% T.H.D.
NOISE	20 dB SPL
DYNAMIC RANGE (typical)	124 dB, 1 kHz at Max SPL
SIGNAL-TO-NOISE RATIO	74 dB, 1 kHz at 1 Pa
PHANTOM POWER REQUIREMENTS	48V DC, 2 mA typical
WEIGHT	12.1 oz (345 g)
DIMENSIONS	6.38" (162.0 mm) long, 2.05" (52.0 mm) maximum body diameter
OUTPUT CONNECTOR	Integral 3-pin XLRM-type
ACCESSORIES FURNISHED	Stand mount for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 threaded adapter; soft protective pouch
AUDIO-TECHNICA CASE STYLE	R7

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Description of HP60:

The PreSonus HP60 is the most flexible and advanced headphone mixing system available for professional and project recording studios as well as live sound in-ear monitoring systems. Loaded with six independent, loud and clear headphone amplifiers, the HP60 features dual stereo inputs as well as external input, for each channel allowing you to mix between three stereo audio streams (mix A, mix B, and external input). Stereo output is also available on each channel to send line level headphone channel mixes to additional headphone amplifiers or monitor systems. Each channel features headphone level, mix control between A and B inputs, external input volume, mute and mono. The HP60 also features talkback via external XLR microphone input.

Common set up of the HP60 in a recording session is to send the main control room mix to input A. Send the click track to input B. Send the each band member direct recording input to each channel’s external input (more me). This will allow each band member to create a mix between the main mix, the click track and themselves. The HP60 is the ultimate headphone amplification system delivering loud and clear headphone mixes for real-world recording situations.

Features:

• PreSonus HP60 6-Channel Amplifier Headphone Amp with Talkback and A/B Input Mix
• Six independent ultra low noise, high output headphone amplifiers (150 mW per channel)
• Two sets of stereo inputs (A and B) with balanced TRS connectors
• Stereo external input point on each channel for “more me” with trim control
• Mix control between inputs A and B
• Talkback with external XLR microphone with control
• Direct stereo line output on each channel
• Input A: (2) ¼” TRS balanced 10k Ohms
• Input B: (2) ¼” TRS balanced 10k Ohms
• External Input: TRS stereo unbalanced 10k Ohms
• Headphone Amplifier Output Power: 150 mW RMS (60 Ohms) per channel
• Audio Outputs: ¼” TRS stereo unbalanced per channel
• Master Controls: Talk button, Talkback volume, Input A, Input B
• Channel Controls: Headphone level, Mix A/B control, External input level, Mono, Mute
• External Talkback: XLR with TS external control jack
• Power: IEC - factory configured for 115V or 230V
• Rack Space: 1U
• Product Dimensions (W x D x H): 19" x 1.75" x 5.5" inches
• Product Weight: 8.0 Lbs.

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How to Set Up DMS40:

Video of DMS40:

The Rockville DMS40 desktop microphone boom arm is the perfect accessory for any podcast, home studio setup, or broadcasting studio. Its rotating design provides a maximum arm reach of 40" giving you freedom to place your mic anywhere you want!

Our designers used the most sturdy and long lasting clamps and springs, with durable steel construction.

Features:

• Rockville DMS40 40" Studio Desk Clamp Microphone Stand w/Boom Arm 
  
• Articulating microphone boom arm
  
• Suitable for studios, broadcasting, podcasting, and more
  
• Arms: 20"+20" arm length for adjustment
  
• C-shape desk clamp is made of aluminum alloy 
  
• Fits any desk less than 2 inch thick
  
• ABS plastic mic clip
  
• You can set the base of the stand on the desk firmly and adjust to your favorite position
  
• High quality steel frame is sturdy and durable
  
• Internal springs for silent and effortless positioning

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Video of RCXFM20E-B:

Description:

All Rockville pro audio cables are made with 100% copper which boosts the efficiency of the cable. There is nothing better than 100% copper. Most of the cheaper cables on the market do not use 100% copper, instead they make their cables with CCA (Copper Clad Aluminum). CCA cables do not perform on the level that 100% copper cables perform at. CCA will not conduct signals efficiently. A 12 gauge CCA cable will not even perform as well as a 14 gauge 100% pure copper cable, which will in turn, affect the performance and longevity of your equipment. If you find cables on the market that do not mention the copper content, there is a good chance that they are selling you a cheaper cable that is CCA and not 100% copper. Rockville pays an inspection company to oversee the manufacturing of the product to ensure that we provide a 100% Oxygen Free Copper Cable (OFC). Our OFC cables are less prone to oxidation, and will provide maximum signal transfer.
 
 The other important factor of a cable is the shielding. Most of the good brands on the market have about 85% shielding coverage, so we decided to take our shielding a step further. Rockville cables are shielded with a tight copper mesh, covering 90% of the cable! The high percentage of coverage increases the ability to absorb the Electromagnetic Interference (EMI) and Radio Frequency Interference (RFI) that suppresses signal and degrades the performance of equipment. Rockville Cable’s copper shielding provides great flexibility, maintains a durable structural integrity, while decreasing signal interference ensuring enhanced signal clarity with every use.

Features:

• Rockville RCXFM20E-B Black 20 Foot Nickel Plated Female to Male XLR Microphone Cable
• XLR Connectors with Internal Strain Relief for Rugged Reliability
• 100% Copper Conductors for Enhanced Signal Clarity
• 90% OFC Spiral Shield for Effective EMI and RFI Rejection and Flexibility
• Length: 20 Ft
• Color: Black