Package Includes:
- (1) Presonus Quantum 26x32 Thunderbolt Audio Recording Interface w/8 Mic Preamps
- (1) Blue Blackout Spark SL Studio Condenser Recording Microphone Mic+Shockmount+Box
- (1) Rockville RockPop Double Screen Recording Mic Pop Filter w/Metal Gooseneck Clamp
- (1) Rockville RCXFM20E-B 20 Foot Female to Male XLR Mic Cable Black 100% Copper
Authorized PreSonus Dealer!
Video of Quantum :
Description:
Your expandable, ultra-high definition recording system.
Taking full advantage of the high-speed Thunderbolt™ bus and ADAT Optical I/O, the PreSonus® Quantum audio interface delivers up to 26 inputs and 32 outputs, with extremely low latency. Boasting superb audio quality; 24-bit, 192 kHz recording and playback; recallable XMAX microphone preamps; and the ability to expand your system as your needs grow, it’s a great choice for a wide variety of professional and semi-pro producers and electronic musicians.
We cut the wait.
Every design decision during Quantum’s engineering was made with one goal in
mind: speed. Quantum sports high-speed Thunderbolt connectivity and a no-frills,
direct-to-DAW architecture, with no DSP. The result is our leanest, fastest,
lowest-latency interface to date. Cutting-edge 24-bit, 192 kHz converters with
120 dB of dynamic range and a surprising amount of expandability and software
control options round out the package.
Expandable when you need
more I/O—up to 96 in and out.
The Quantum audio interface offers two combo mic/line/instrument inputs and
six combo mic/line inputs, each with a digitally controlled XMAX preamp and
individual +48V phantom power. You also get two ¼-inch TRS main outputs, eight
¼-inch TRS aux outputs, and two independent headphone outs with dedicated volume
controls. But that’s just the start. With ADAT Optical I/O and S/PDIF stereo
digital I/O, you can have up to 18 digital inputs and outputs. And if you need
even more I/O channels, you can stack up to four Quantum interfaces via
Thunderbolt to create a monster system with up to 96 in and out. BNC word clock
I/O ensures your Quantum and other digital audio devices operate in tight sync.
And of course you get MIDI I/O, too.
Superior sound.
Audiophile-grade digital converters, low-jitter clocking, and recallable
preamps add up to a superior recording and listening experience. The Quantum
audio interface operates at up to 192 kHz for ultra-high-definition mixing and
recording. High-quality converters on every input and output provide 120 dB of
dynamic range to capture complex musical harmonics smoothly and naturally with
no audible distortion. And our recallable XMAX Class A analog microphone preamps
deliver incredibly high headroom, deep lows, smooth highs, and a rich overall
sound so you’ll hear every breath, transient, and detail in your recordings.
A superior choice for any
production environment.
With its pro features and abundant I/O, the Quantum audio interface fits
into any recording and production environment. You get two main and eight
auxiliary balanced line-level outputs, as well as Mute/Dim and Mono controls.
The onboard talkback mic can be routed to any mix, and you can listen to any mix
from either of two independent headphone amps. All 10 analog outputs are DC
coupled so they can provide control voltage to external analog equipment. Add
that to Quantum’s expandability, flexible software suite, blazing speed, and
superb sound quality, and you have a recording system that will be the heart of
your dream studio for years to come.
Tight integration with
Studio One.
With the Quantum, your audio interface is an integrated extension of your
recording environment. The perfect companion for any recording software, the
Quantum 2 comes equipped with Studio One Artist to provide you with a complete
recording solution. Launch Studio One®, and you’ll find full preamp control
integrated into your recording environment. Need to track away from your
computer? Launch Studio One Remote on your iPad® or Android™ tablet.
Features:
- PreSonus Quantum 26x32 Thunderbolt Audio Recording Interface with 8 Mic Pre-Amps
- 26x32 Thunderbolt ultra-low-latency audio interface
- PreSonus’ fastest interface; record direct to DAW (no DSP)
- Stack up to four Quantum interfaces via Thunderbolt for a monster system
- Talkback switch and internal Talkback microphone
- Mute/Dim and Mono switches
- Assignable output level control
- (10) 8-segment LED meters (8 input, 2 output)
- Simultaneous I/O up to 26 inputs/32 outputs (at 44.1 or 48 kHz)
- 2 front-panel combo microphone/instrument/line inputs
- 6 rear-panel combo microphone/line-level inputs
- 8 XMAX remote-controllable, Class A mic preamps with individually switched 48V phantom power
- 2 balanced ¼” TRS line-level main outputs
- 8 balanced ¼” TRS line-level outputs
- Line outputs are DC coupled for sending control voltages for analog gear
- ADAT Optical/Dual SMUX inputs/outputs: 16x16 channels at 44.1 or 48 kHz; 8x8 channels at 88.2 or 96 kHz
- Stereo S/PDIF coaxial input and output
- 2 high-volume headphone outputs with dedicated volume controls
- Thunderbolt 2 high-speed bus (Thunderbolt 3 compatible)
- 24-bit resolution and up to 192 kHz sampling rate
- Top-quality 120 dB A/D/A converters
- BNC word clock input and output with low-jitter clocking
- MIDI I/O on 5-pin DIN connectors
- Road-rugged construction with all-metal chassis and metal knobs
- 1U rack-mountable
- 12 VDC external power supply (included)
Specifications:
- Microphone Preamp
- Type: XLR Female (via Combo), Balanced
- Maximum Input Level: +10 dBu (Balanced, min. gain)
- Gain Control Range: 60 dB
- Frequency Response:
- 20 Hz to 20 kHz (±0.15 dB, unity gain, 48 kHz)
- 20 Hz to 40 kHz (±0.22 dB, unity gain, 96 kHz)
- Dynamic Range: > 110 dB
- THD: < 0.005%
- EIN: < -131 dBu
- Input Impedance: 1.6 kOhms
- Phantom Power: +48V
- Instrument Inputs
- Type: 1/4" TS Female (via Combo), Unbalanced
- Maximum Input Level: +15 dBu (Unbalanced, min. gain)
- Gain Control Range: 60 dB
- Frequency Response:
- 20 Hz to 20 kHz (±0.2 dB, unity gain, 48 kHz)
- 20 Hz to 40 kHz (±0.6 dB, unity gain, 96 kHz)
- Dynamic Range: > 106 dB
- THD: < 0.005%
- Input Impedance: 1 M Ohms
- Line Inputs
- Type: 1/4" TRS Female (via Combo), Balanced
- Maximum Input Level: +18 dBu (Balanced, min. gain)
- Gain Control Range: 60 dB
- Frequency Response:
- 20 Hz to 20 kHz (±0.05 dB, unity gain, 48 kHz)
- 20 Hz to 40 kHz (±0.10 dB, unity gain, 96 kHz)
- Dynamic Range: > 118 dB
- THD: < 0.005%
- Input Impedance: 10 kOhms
- Main and Line Outputs
- Type: 1/4" TRS Female, impedance balanced, DC Coupled
- Maximum Output Level: +18 dBu (Balanced)
- Frequency Response:
- 20 Hz to 20 kHz (±0.05 dB, unity gain, 48 kHz)
- 20 Hz to 40 kHz (±0.15 dB, unity gain, 96 kHz)
- Dynamic Range: > 118 dB
- THD: < 0.0035%
- Output Impedance: 51 Ohms
- Headphone Outputs
- Type: 1/4" TRS Female, Stereo, Unbalanced, x2
- Maximum Output Level: 175 mW/channel (56 Ohm Load)
- Frequency Response: 20 Hz to 20 kHz (±0.05 dB, 48 kHz)
- Dynamic Range: > 110 dB
- THD: < 0.003%
- Headphone Impedance (working range): 16 Ohms to 300 Ohms
- Crosstalk
- Input to Input: < -110 dB
- Output to Output: < -115 dB
- Input to Output: < -120 dB
- Digital Audio
- Connection Type: Thunderbolt
- ADC Dynamic Range: 120 dB
- DAC Dynamic Range: 120 dB
- Bit Depth: 24 bits
- Internally Supported Sample Rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz
- Power: 12 VDC, 5A, external power supply
- Product Dimensions (H x W x D): 1.75" x 19" x 7" inches
- Product Weight: 6.0 Lbs.
?Included Studio Magic Plug-ins
- Ableton Live Lite
- Arturia Analog Lab Lite
- Brainworx bx-opto Compressor
- Brainworx bx_rockrack
- Cherry Audio Voltage Nucleus
- iZotope Neutron Elements
- Klanghelm SDRR2tube compressor
- KV331 Audio Synthmaster Player
- Lexicon MPX-i Reverb
- Maag Audio EQ2
- Melodics rehearsal tool
- Native Instruments REPLIKA
- Output Movement
- SPL Attacker Plus
- Studio Linked Trophies
- UJAM Virtual Drummer 2 PHAT
- UVI Model D Piano
Authorized Blue Dealer!
BLACKOUTspark SL
XLR CONDENSER MIC FOR PRO RECORDING AND STREAMING
Ready to upgrade your home studio or streaming setup to full broadcast studio level? Blackout Spark SL brings Blue’s legendary studio sound to your space. With a professional XLR connection and versatile switches, Blackout Spark SL gives you that broadcast studio voice that will transform your podcasts, Twitch® game streams and YouTube videos. The large-diaphragm cardioid condenser capsule and JFET electronics deliver superb detail and rich harmonic audio for the ultimate in professional sound. Upgrade to Blackout Spark SL and hear why Blue is the #1 choice for game streamers, podcasters and musicians worldwide.
From Studio to Streaming
For more than two decades, the world’s greatest artists and studios have trusted Blue XLR microphones. And today, many of the world’s elite podcasters, gaming teams and Twitch® streamers use Blue mics to achieve professional-level audio performance. Create podcasts that stand out from the rest, elevate your gaming and streaming to the competitive level, and enhance your YouTube videos with Blue.
Inside the Sound
At the heart of Blackout Spark SL’s sound is Blue’s custom JFET design, which ensures the capsule’s backplate is evenly charged and delivering consistent, detailed and transparent sound at all times. Blackout Spark SL also features discreet Class-A circuitry to maintain a pure signal. Add Blackout Spark SL to your next game stream to achieve pristine broadcast studio sound and blow away your audience.
Switch to Versatility
Blackout Spark SL features a new 100Hz high-pass filter and -20dB pad to bring professional versatility to your projects. Things getting intense on your stream? Use the -20dB pad to keep your voice clear and crisp. Experiencing rumble or other low noises from your desktop? Flip the 100Hz high-pass filter and start recording. Blackout Spark SL’s incredible flexibility makes it easy to produce superbly detailed audio during any application.
Features:
- Blue Blackout Spark SL Studio Condenser Recording Microphone Mic and Shockmount, Box
- XLR connection integrates perfectly with USB audio interfaces and mixers
- Custom, large-diaphragm cardioid condenser capsule for superbly detailed, focused sound
- Blue’s Class-A JFET electronics deliver rich harmonic audio
- 100Hz low cut filter increases clarity, reducing rumble from your room or desk
- -20dB pad keeps your stream free of distortion when things get intense
Specifications
- Transducer Type: Condenser, Pressure Gradient
- Polar Patterns: Cardioid
- Frequency Response: 20Hz – 20kHz
- Sensitivity: 34.9 mV/Pa at 1 kHz (1 pa = 94 dB SPL)
- Output Impedance: 50 ohm
- Rate Load Impedance: Not less than 1k ohm
- Maximum SPL: 136 dB SPL (1k, THD 0.5%)
- S/N Ratio: 73 dB-A
- Noise Level: 16.4 dB-A
- Dynamic Range: 119.6 dB
- Power Requirement: +48V DC Phantom Power
- Weight: 336g
- Dimensions: 220.5mm x 45mm
- HPF: 100Hz, 12db per octave
- PAD: -20dB
How to Set Up Your RockPop:
Features of RockPop:
- Rockville RockPop Double Screen Recording Microphone Pop Filter with Metal Gooseneck Clamp
- Prevents pops when recording vocals
- Adjustable clamp fixes securely to any mic stand
- Gooseneck for precise positioning
- The first screen blocks air blasts
- The gap in between the 2 screens disperses any remaining air pressure
- By the time it passes the second screen, the blast is easily contained
- Adjustable Gooseneck: The metal gooseneck holder fully supports the filter's weight and keeps it in place
- You can adjust the angle and distance between the wind screen and the microphone
- Universal Compatibility: Adjustable and rotating clamp with scratch-proof gripper secures to any tubular mounting booms or mic stands with a maximum diameter of 1.6 inches
- Swivel mount for easy installation
- Pop Filter Diameter: 5.9” inches
- Gooseneck Length: 14.1” inches
- Net Weight: 0.44 Lbs.
Video of RCXFM20E-B:
Description:
All Rockville pro audio cables are made with 100% copper which boosts the efficiency of the cable. There is nothing better than 100% copper. Most of the cheaper cables on the market do not use 100% copper, instead they make their cables with CCA (Copper Clad Aluminum). CCA cables do not perform on the level that 100% copper cables perform at. CCA will not conduct signals efficiently. A 12 gauge CCA cable will not even perform as well as a 14 gauge 100% pure copper cable, which will in turn, affect the performance and longevity of your equipment. If you find cables on the market that do not mention the copper content, there is a good chance that they are selling you a cheaper cable that is CCA and not 100% copper. Rockville pays an inspection company to oversee the manufacturing of the product to ensure that we provide a 100% Oxygen Free Copper Cable (OFC). Our OFC cables are less prone to oxidation, and will provide maximum signal transfer.
The other important factor of a cable is the shielding. Most of the good brands on the market have about 85% shielding coverage, so we decided to take our shielding a step further. Rockville cables are shielded with a tight copper mesh, covering 90% of the cable! The high percentage of coverage increases the ability to absorb the Electromagnetic Interference (EMI) and Radio Frequency Interference (RFI) that suppresses signal and degrades the performance of equipment. Rockville Cable’s copper shielding provides great flexibility, maintains a durable structural integrity, while decreasing signal interference ensuring enhanced signal clarity with every use.
Features:
- Rockville RCXFM20E-B Black 20 Foot Nickel Plated Female to Male XLR Microphone Cable
- XLR Connectors with Internal Strain Relief for Rugged Reliability
- 100% Copper Conductors for Enhanced Signal Clarity
- 90% OFC Spiral Shield for Effective EMI and RFI Rejection and Flexibility
- Length: 20 Ft
- Color: Black
- UPC:
- 613815571575
