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About Rockville Quality Control Procedures:
The Rockville brand stands for Quality, Innovation and Value. We aim to deliver products twice as good as our competitors at a fraction of the cost of famous brands. All Rockville products go through the most rigorous quality control standards in the industry. Products go through months of extensive testing before they reach your hands. All functions and components are tested for quality. Rockville makes products that are virtually un-breakable! Rockville is one of the only brands in its class to have engineers and technicians test every concept model for weeks or months before starting production. Once production begins, Rockville sends product engineers to the factory to quality control every product. After production is complete Rockville has the head of QC in our overseas office test a certain percentage of all products from the production line a second time to ensure that the quality meets our strict standards. All Rockville products are backed with a hassle free warranty.
- (1) Rane MP2015 Rotary Club DJ 4 Deck Mixer W/Dual USB+32 Bit DSP
- (1) Rockville RXS20 Portable Mixer Stand
Description of MP2015:
The
Rane
MP2015 is a no-compromise music-mixing performance
instrument.
Control, sound, reliability and durability distinguish Rane’s new techno house club mixer for high-end audio systems.
Born from a legacy of rotary club mixers beginning in 1971 with Rudy Bozak’s CMA-10-2DL, on to 1982 and UREI’s 1620, then in 1999 Rane’s MP2016/XP2016 combo, and now in 2015, the MP2015 represents the next revival and evolution.
With over 40 years of rotary mixer experience to draw on, along with collaboration and input from the world’s best techno house DJs, the MP2015 is the best mixer produced by Rane—ever. There are no compromises in the design. It has the best sound, the best features, the best feel, and the best reliability and durability.
Sound Quality
A world-class leader in performance, the MP2015 is designed for playback of High-Resolution Audio (HRA) 24-bit studio master quality sources. Its sonic signature has no equal, satisfying the most stringent vinyl purists. And the dynamics are perfect for DJs preferring the uncompressed sound of WAV and FLAC files.
Professional high-end sound quality begins and ends with the audio signal converters. The MP2015 uses premium performance Audio 4 Pro™ delta-sigma modulator converters by AKM [Asahi Kasei Microdevices Corporation] that meet the highest sound quality standards of recording studios. The balanced differential audio input converters deliver 116 dB dynamic range, utilizing a built-in modified FIR architecture that minimizes group delay, allowing excellent linear phase response. The 24-bit audio output converters have the same 116 dB dynamic range and sport AKM’s proprietary 24-bit digital filter for better sound quality achieving low distortion characteristics and wide dynamic range. The differential outputs eliminate the need for AC coupling capacitors further increasing performance. Input and output converters support sample rates of 44.1 kHz, 48 kHz, or 96 kHz. Overall Digital/USB in to Line-out, or Line-in to Digital/USB out dynamic range is 116 dB (A-weighted), while Line-input to Line-output dynamic range is a remarkable 113 dB (A-weighted) with vanishingly low THD+N of 0.0009%.
Studio-Quality Phono Preamps, and S/PDIF for CDJs
The Phono-CD (or any line-level source) analog input stages feature gold RCA connectors and are true studio-quality preamplifiers providing EMI[1], RFI[2] and transient overvoltage protection against ESD[3]. The circuitry provides low noise, high gain-bandwidth, low harmonic distortion, fast slew rate and high output current. The phono RIAA filter accuracy measures +0.1/-0.2 dB from perfect. Included are 18 Hz high-pass infrasonic (rumble) filters with steep 18 dB/octave slopes and ultrasonic filters beginning rolloff at 50 kHz at a 12 dB/octave rate. A zero-distortion relay selects between CD and Phono operation.
EMI (electromagnetic interference) A measure of electromagnetic radiation from equipment.
RFI (radio frequency interference) A measure of radio frequency (RF) radiation from equipment.
ESD (electrostatic discharge) Electrical discharges of static electricity that build up on personnel or equipment, generated by interaction of dissimilar materials.
Using CDJs? For the very best sound, bypass the D/A converters and go direct digital with S/PDIF. Regular RCA line inputs work for players without S/PDIF outputs. Switches for each input let you choose.
Filters and EQ
Sweep Filters
Each of the four Input channels and the Submix channel feature a unique and exclusive three-position toggle selector-switch. Choose between LP (low-pass), HP (high-pass) or L-H (low-pass, high-pass combo). All have steep 24 dB/octave (4th-order) slopes and are sweepable.
In the LP position the Filter knob sweeps the low-pass frequency from 20 Hz to 20 kHz (CCW to CW). The 12:00 middle position is 635 Hz.
In the HP position the Filter knob sweeps the high-pass frequency from 20 Hz to 20 kHz (CCW to CW). The 12:00 middle position is 635 Hz.
In the L-H position the Filter knob sweeps either the LP or HP filter depending upon rotation direction from center. The 12:00 middle position bypasses both filters giving a flat unaffected response. Rotating the knob from fully counterclockwise to center sweeps the LP filter from 20 Hz to 18 kHz. Rotating the knob from center to fully clockwise sweeps the HP filter from 35 Hz to 20 kHz.
The single Resonance (Q) knob controls the shape of all Input and Submix filters. The range is from flat (Q=0.707) to max peaking (Q=12).
These filters are high resolution, fast and artifact free, with all filter coefficients accurately calculated for the selected sample rate.
Channel Tone Controls
All input channels and the Submix channel have exceptional three-band tone controls characterized by being 12 dB/octave (2nd-order) Linkwitz-Riley, full-cut filters (kill) with selectable crossover points of 150 Hz/6.0 kHz or 300 Hz/3.0 kHz. The crossover points are selected in the user control panel when connected to a computer via one of the USB ports.
Like the Sweep Filters, the Tone Control filters are extremely accurate, high resolution, fast and artifact free, with all filter coefficients accurately calculated for the selected sample rate.
Submix Channel
This unique input channel provides grouping any number of inputs for easy multi-source mixing. It allows one set of controls for all functions verses having to deal with multiple knobs and buttons on multiple channels. Plus this becomes another input simply by activating the SUB button found on the Session In section.
The Submix is great innovation for multi-track DJs, combining 1 to 4 channels plus the Session Input into a Submix, thereby controlling multiple tracks with one set of EQ, Filter, and volume controls. This means turning one knob instead of trying to turn several channel knobs at once. Quickly assign or un-assign any Input to the Submix, which has its own meter, headphone Cue, and USB record output. This is also where an external effects unit can be mixed in, and assigned to the Submix or the Main Mix. The Submix can also be used as a 5th input channel from the Session Input. No other mixer on the market provides this ease of multi-track use.
Isolator EQ Section
The proprietary three-band output Isolator is a steep 24 dB/octave (4th-order) phase-compensated Linkwitz-Riley design with continuously adjustable low-mid and mid-high crossover points. Like the Tone Controls, these filters are extremely accurate, high resolution, fast and artifact free, with all filter coefficients accurately calculated for the selected sample rate.
Adjustable crossovers allow the artist to match the Isolator to the music being played. Low-mid crossover is adjustable from 80 Hz to 640 Hz. Mid-high crossover is adjustable from 1 kHz to 8 kHz.
Dual USB Ports for Simple DJ Changeover
One of the biggest challenges of digital DJing has been seamlessly changing over from one DJ to the next and playing back-to-back DJ sets. With the dual USB architecture of the MP2015 mixer, changeover between digital DJs has never been easier. Different DJ or DAW software programs are not a problem. When two DJs are connected to the MP2015, they can quickly swap deck control between computers using the Source Select knobs. Any of the four inputs can be swapped back and forth with a simple knob twist. Nice and easy, just the way we intended.
Each port can stream 24 channels of low-latency 24-bit audio at 44.1, 48, or 96 kHz.
Connect up to four turntables, four CD decks, or two of each.
S/PDIF inputs are provided for equipped CDJs. Connect a fifth CD to the Session In using either analog or S/PDIF.
Connect yet another CD or musical instrument to the AUX line input, available at any of the input channels.
Class Compliant Dual USB Ports
Dual USB ports provide simultaneous connection of two computers, enabling back-to-back sets between laptop DJs running different software without compromise or interruption—no easy feat.
The USB ports are 100% class compliant, allowing hook-up to any Mac OSx device without the need for an additional driver.
The included high-performance ASIO driver runs most Windows DAW and DJ software.
MIDI end points are class compliant with both OSX and Windows devices.
Control, sound, reliability and durability distinguish Rane’s new techno house club mixer for high-end audio systems.
Born from a legacy of rotary club mixers beginning in 1971 with Rudy Bozak’s CMA-10-2DL, on to 1982 and UREI’s 1620, then in 1999 Rane’s MP2016/XP2016 combo, and now in 2015, the MP2015 represents the next revival and evolution.
With over 40 years of rotary mixer experience to draw on, along with collaboration and input from the world’s best techno house DJs, the MP2015 is the best mixer produced by Rane—ever. There are no compromises in the design. It has the best sound, the best features, the best feel, and the best reliability and durability.
Sound Quality
A world-class leader in performance, the MP2015 is designed for playback of High-Resolution Audio (HRA) 24-bit studio master quality sources. Its sonic signature has no equal, satisfying the most stringent vinyl purists. And the dynamics are perfect for DJs preferring the uncompressed sound of WAV and FLAC files.
Professional high-end sound quality begins and ends with the audio signal converters. The MP2015 uses premium performance Audio 4 Pro™ delta-sigma modulator converters by AKM [Asahi Kasei Microdevices Corporation] that meet the highest sound quality standards of recording studios. The balanced differential audio input converters deliver 116 dB dynamic range, utilizing a built-in modified FIR architecture that minimizes group delay, allowing excellent linear phase response. The 24-bit audio output converters have the same 116 dB dynamic range and sport AKM’s proprietary 24-bit digital filter for better sound quality achieving low distortion characteristics and wide dynamic range. The differential outputs eliminate the need for AC coupling capacitors further increasing performance. Input and output converters support sample rates of 44.1 kHz, 48 kHz, or 96 kHz. Overall Digital/USB in to Line-out, or Line-in to Digital/USB out dynamic range is 116 dB (A-weighted), while Line-input to Line-output dynamic range is a remarkable 113 dB (A-weighted) with vanishingly low THD+N of 0.0009%.
Studio-Quality Phono Preamps, and S/PDIF for CDJs
The Phono-CD (or any line-level source) analog input stages feature gold RCA connectors and are true studio-quality preamplifiers providing EMI[1], RFI[2] and transient overvoltage protection against ESD[3]. The circuitry provides low noise, high gain-bandwidth, low harmonic distortion, fast slew rate and high output current. The phono RIAA filter accuracy measures +0.1/-0.2 dB from perfect. Included are 18 Hz high-pass infrasonic (rumble) filters with steep 18 dB/octave slopes and ultrasonic filters beginning rolloff at 50 kHz at a 12 dB/octave rate. A zero-distortion relay selects between CD and Phono operation.
EMI (electromagnetic interference) A measure of electromagnetic radiation from equipment.
RFI (radio frequency interference) A measure of radio frequency (RF) radiation from equipment.
ESD (electrostatic discharge) Electrical discharges of static electricity that build up on personnel or equipment, generated by interaction of dissimilar materials.
Using CDJs? For the very best sound, bypass the D/A converters and go direct digital with S/PDIF. Regular RCA line inputs work for players without S/PDIF outputs. Switches for each input let you choose.
Filters and EQ
Sweep Filters
Each of the four Input channels and the Submix channel feature a unique and exclusive three-position toggle selector-switch. Choose between LP (low-pass), HP (high-pass) or L-H (low-pass, high-pass combo). All have steep 24 dB/octave (4th-order) slopes and are sweepable.
In the LP position the Filter knob sweeps the low-pass frequency from 20 Hz to 20 kHz (CCW to CW). The 12:00 middle position is 635 Hz.
In the HP position the Filter knob sweeps the high-pass frequency from 20 Hz to 20 kHz (CCW to CW). The 12:00 middle position is 635 Hz.
In the L-H position the Filter knob sweeps either the LP or HP filter depending upon rotation direction from center. The 12:00 middle position bypasses both filters giving a flat unaffected response. Rotating the knob from fully counterclockwise to center sweeps the LP filter from 20 Hz to 18 kHz. Rotating the knob from center to fully clockwise sweeps the HP filter from 35 Hz to 20 kHz.
The single Resonance (Q) knob controls the shape of all Input and Submix filters. The range is from flat (Q=0.707) to max peaking (Q=12).
These filters are high resolution, fast and artifact free, with all filter coefficients accurately calculated for the selected sample rate.
Channel Tone Controls
All input channels and the Submix channel have exceptional three-band tone controls characterized by being 12 dB/octave (2nd-order) Linkwitz-Riley, full-cut filters (kill) with selectable crossover points of 150 Hz/6.0 kHz or 300 Hz/3.0 kHz. The crossover points are selected in the user control panel when connected to a computer via one of the USB ports.
Like the Sweep Filters, the Tone Control filters are extremely accurate, high resolution, fast and artifact free, with all filter coefficients accurately calculated for the selected sample rate.
Submix Channel
This unique input channel provides grouping any number of inputs for easy multi-source mixing. It allows one set of controls for all functions verses having to deal with multiple knobs and buttons on multiple channels. Plus this becomes another input simply by activating the SUB button found on the Session In section.
The Submix is great innovation for multi-track DJs, combining 1 to 4 channels plus the Session Input into a Submix, thereby controlling multiple tracks with one set of EQ, Filter, and volume controls. This means turning one knob instead of trying to turn several channel knobs at once. Quickly assign or un-assign any Input to the Submix, which has its own meter, headphone Cue, and USB record output. This is also where an external effects unit can be mixed in, and assigned to the Submix or the Main Mix. The Submix can also be used as a 5th input channel from the Session Input. No other mixer on the market provides this ease of multi-track use.
Isolator EQ Section
The proprietary three-band output Isolator is a steep 24 dB/octave (4th-order) phase-compensated Linkwitz-Riley design with continuously adjustable low-mid and mid-high crossover points. Like the Tone Controls, these filters are extremely accurate, high resolution, fast and artifact free, with all filter coefficients accurately calculated for the selected sample rate.
Adjustable crossovers allow the artist to match the Isolator to the music being played. Low-mid crossover is adjustable from 80 Hz to 640 Hz. Mid-high crossover is adjustable from 1 kHz to 8 kHz.
Dual USB Ports for Simple DJ Changeover
One of the biggest challenges of digital DJing has been seamlessly changing over from one DJ to the next and playing back-to-back DJ sets. With the dual USB architecture of the MP2015 mixer, changeover between digital DJs has never been easier. Different DJ or DAW software programs are not a problem. When two DJs are connected to the MP2015, they can quickly swap deck control between computers using the Source Select knobs. Any of the four inputs can be swapped back and forth with a simple knob twist. Nice and easy, just the way we intended.
Each port can stream 24 channels of low-latency 24-bit audio at 44.1, 48, or 96 kHz.
Connect up to four turntables, four CD decks, or two of each.
S/PDIF inputs are provided for equipped CDJs. Connect a fifth CD to the Session In using either analog or S/PDIF.
Connect yet another CD or musical instrument to the AUX line input, available at any of the input channels.
Class Compliant Dual USB Ports
Dual USB ports provide simultaneous connection of two computers, enabling back-to-back sets between laptop DJs running different software without compromise or interruption—no easy feat.
The USB ports are 100% class compliant, allowing hook-up to any Mac OSx device without the need for an additional driver.
The included high-performance ASIO driver runs most Windows DAW and DJ software.
MIDI end points are class compliant with both OSX and Windows devices.
Features
- Rane MP2015 Rotary Club DJ 4 Deck Mixer W/Dual USB+32 Bit DSP
- Excellent control ergonomics with intuitive and comfortable layout.
- Potentiometers with exceptional feel and 1 million cycle life.
- Studio console grade backlit push
switches.
- Highest quality user control surface
- Digital Signal Processing
- A/D and D/A dynamic range 116 dB
A-weighted, THD+N 0.0009%.
- All audio processing is 32-bit
floating point with supported sample rates: 44.1 kHz, 48 kHz or 96
kHz.
- S/PDIF inputs for each Deck and
Session input with
- Dynamic range 128 dB with
ultra-low jitter and 16:1 SRC conversion range.
- S/PDIF Session output to record mix or chain mixers together without analog conversion.
- 2 USB ports allow simultaneous connection of 2 computers
- Each USB port supports 10 playback
and 14 record channels.
- Simultaneously record 4 Decks,
Submix, Session In and Main mix.
- USB 2.0 high-speed class compliant
MIDI and Audio
- Driver installation is not
required for Mac OSX.
- High-performance universal ASIO
driver is provided for Windows.
- User control panel supports user options and status.
- Analog I/O designed with attention
to detail
- Accurate, low noise RIAA stages
with 3rd-order Infrasonic (rumble) and 2nd order low-pass filters.
- Transient voltage and EMI
protection, turn on muting and overload protection.
- 8 Vrms balanced outputs, 4 Vrms
unbalanced I/O.
- Four Deck inputs with these
features:
- Select USB A, PH/CD, AUX or USB B
input with Gain trim and RIAA Phono sensitivity.
- Deck 1 USB playback channels 1-2
- Deck 2 USB playback channels 3-4
- Deck 3 USB playback channels 5-6
- Deck 4 USB playback channels 7-8
- 3-band full-cut EQ with 2
selectable crossover points: Linkwitz-Riley 2nd-order
- 4th-Order Selectable Low-pass,
Low/High-pass, or High-pass filter with Mode, Resonance and on/off
controls.
- Main Mix Level control, Headphone
Cue, Submix assign, 16-segment Q-peak meter with Peak-hold.
- Session Input with Level control
- Source may be unbalanced RCA,
S/PDIF or USB AUX playback channels 9-10.
- Assigned to Main Mix or Submix,
where the submix can act as a fifth input channel.
- Microphone input with 48 volt
phantom power and Line-level switches
- Combo XLR and 1/4" TRS input jack.
- May be used with a condenser mic,
dynamic mic or line-level (wireless) input.
- Input Level control, 1-knob Tone
control, on/off switch and Duck controls.
- Unique Submix feature
- Group any number of inputs for
easy and intuitive multi-source mixing.
- Channels assigned to the Submix
share a common set of controls, similar to the Deck inputs.
- Assignable external Effects Loop
with sensitivity, in/out and wet/dry control.
- High performance Integrated Isolator
EQ
- 4th-order Linkwitz-Riley 3-band
Isolator with adjustable crossover points. Exceptionally smooth.
- Main Mix with 16-segment stereo
Meter
- Balanced XLR Main Output with
Level control.
- Balanced 1/4" TRS Booth Output
with Level control.
- Session Output with Level control.
- S/PDIF output for digital
recording or chaining mixers together.
- Unbalanced RCA analog output.
- Effects Loop may be assigned to the Main Mix or just the Submix.
- Headphone monitor
- Level Control, Cue/Main Pan, Mono
Split or Stereo Cue.
- Conveniently located 3.5 mm and
1/4" jacks on the top plate and front panel.
How to Set Up Your RXS20:
All About Your RXS20:
Unboxing Video of RXS20:
The RXS20 is the best mixer stand on the market! This mixer is universal and works with any mixer up to 300lbs! The stand is made out of steel making it sturdy and tough! This stand has a sleek black powder paint coating making it look very professional!
The RXS20 is collapsible for maximum portability and easy storage.
What is very unique about this stand is how adjustable it is.
You can adjust the width from 13.8” - 23.6” making this perfect for any mixer, DJ controller, or other device.
The height is adjustable from 24” - 36”
All the adjustments are quick and easy with our state-of-the-art adjustment mechanisms.
It comes equipped with soft padding to mount your audio gear on to prevent against any scratches on your device.
It also has rubber feet on the end of each leg as well to make the stand sturdy.
Features:
- Rockville RXS20 Heavy duty mixer stand
- Universal with any mixer up to 300 LBS!
- Collapsable for maximum portability and easy storage
- Adjustable width (13.8” – 23.6” Inches) making this universal for any mixer and other gear
- Adjustable Height from 24” – 36” (Inches)
- Steel stand with sturdy arms
- Large enough for mixers, DJ gear, keyboards, and more
- Load capacity: 300 LBS
- 1 MM thick steel all around! This piece is rock solid! At Rockville we only make top quality gear!
- Best quality black powder paint coating
- Soft padding on mounting platform to protect your audio devices
- Rubber feet on the end of each leg
- 14.5 LBS (portable and light-weight)
Specifications:
- Weight Capacity: 300 lbs.
- Height Adjustment.: 24”-36”
- Width Adjustment: 13.8”-23.6”
- Base leg length: 19.5”
- Top arm length: 19.5”
- Construction: All-steel
- Color: Black Powder Coat Finish
- Item weight: 14.5 lbs
- Shipping Weight: 16.5 lbs
- Dimension of shipping carton: 24" x 20" x 3.1" (inches)
- Unit Dimensions when folded : 20” x 3.1” x 24”
About Rockville Quality Control Procedures:
The Rockville brand stands for Quality, Innovation and Value. We aim to deliver products twice as good as our competitors at a fraction of the cost of famous brands. All Rockville products go through the most rigorous quality control standards in the industry. Products go through months of extensive testing before they reach your hands. All functions and components are tested for quality. Rockville makes products that are virtually un-breakable! Rockville is one of the only brands in its class to have engineers and technicians test every concept model for weeks or months before starting production. Once production begins, Rockville sends product engineers to the factory to quality control every product. After production is complete Rockville has the head of QC in our overseas office test a certain percentage of all products from the production line a second time to ensure that the quality meets our strict standards. All Rockville products are backed with a hassle free warranty.
3 YEAR
- UPC:
- 613815994633
