- (1) Rockville DMS40 40" Microphone Boom Arm Studio Podcast USB Mic Stand+Desk Clamp
- (1) Presonus Eris E8 - High-Definition 2-way 8" Near Field Studio Monitor New!
- (1) Rockville PRO-M50 Studio Headphones w/ Detachable Coil Cable, Case+Extra Ear Pad
- (1) Rockville RCM03 Pro Studio Recording Condenser Microphone Mic+Metal Shock Mount
- (1) Rockville RDMS6 Studio Desktop Mic Stand w 11.8" Gooseneck+Round Weighted Base
Video of DMS40:
The Rockville DMS40 desktop microphone boom arm is the perfect accessory for any podcast, home studio setup, or broadcasting studio. Its rotating design provides a maximum arm reach of 40" giving you freedom to place your mic anywhere you want!
Our designers used the most sturdy and long lasting clamps and springs, with durable steel construction.
Features:
- Rockville DMS40 40" Studio Desk Clamp Microphone Stand w/Boom Arm
- Articulating microphone boom arm
- Suitable for studios, broadcasting, podcasting, and more
- Arms: 20"+20" arm length for adjustment
- C-shape desk clamp is made of aluminum alloy
- Fits any desk less than 2 inch thick
- ABS plastic mic clip
- You can set the base stand in the desk firmly and adjust to your favorite position
- High quality steel frame is sturdy and durable
- Internal springs for silent and effortless positioning
Authorized Presonus Dealer!
Video of Eris E8:
Description:
When you’re ready to get serious about recording, it’s time to step up to PreSonus Eris-series studio monitors. Cheap computer speakers and home-stereo speakers won’t reveal the truth about your mix. They aren’t designed for that.
In contrast, Eris speakers are real studio monitors, delivering a very accurate response with a tight bass and very clear upper end. That’s what you need in a home studio. Thanks to well-designed Kevlar® low frequency transducers, low-mass silk-dome tweeters, responsive Class AB amplification, and professional acoustic-adjustment controls, Eris delivers the goods.
Yet Eris-series speakers are ultra-affordable, making them a terrific value.
When Size Matters
For an extended low-frequency response and a bit more muscle, step up to the Eris E8. With its 8-inch, Kevlar low-frequency transducer, driven by a 75 watt, Class AB power amplifier, it can range down to 35 Hz. Like the E5, the E8 can reach all the way to 22 kHz, thanks to a 1.25-inch (32 mm), silk-dome, high-frequency tweeter. However, the E8’s tweeter is driven by a heftier 65W, Class AB amplifier. With its extra juice, the E8 can deliver up to 105 dB SPL, peak.
All Eris speakers have front-ported enclosures made of vinyl-laminated, medium-density fiberboard (MDF).
Connections
Both Eris models provide balanced XLR, balanced ¼” TRS, and unbalanced RCA line-level inputs. When both balanced connections are in use, the TRS input will supersede the XLR input. The RCA input is summed into the signal path.
With this selection, you’ll have no problem hooking your Eris speakers up with virtually any line-level source. (If your signal source has unbalanced, ¼” TS outputs, simply use a ¼”-to-RCA adapter or adapter cable.)
You’re in control!
Today’s music producers deal with a wide variety of musical genres and often work in more than one location. It’s easy to take your Eris speakers with you when you want to work in a different space. It’s almost as easy to customize their sound for your room and type of music.
The most basic control is the Input Gain, which determines the signal level before it reaches the power amp. This is part of gain-staging your overall system—that is, setting the levels for every part of the recording chain in order to get the optimal level of clean audio all the way through. Once you’ve gain-staged your system, you can leave this control alone.
The Eris E5/E8 provides three EQ controls in its Acoustic Tuning section: High, Mid, and Low Cutoff. These controls enable you to fine-tune the monitors and even to broadly approximate the sounds of different types of speakers so you can hear what your mix might sound like, for instance, on a car stereo or portable radio. The Low control also is useful when using the E5 or E8 with a subwoofer.
In addition to the Acoustic Tuning controls, Eris speakers offer a three-position Acoustic Space switch. This switch controls a second-order, low shelving filter that cuts the level of all frequencies below 800 Hz by a specified amount (-2 or -4 dB) to compensate for the boundary bass boost that occurs when the monitor is placed near a wall or corner. If you don’t want to roll of those lows, set it to 0 dB.
This combination of controls lets you create a linear response for accurate monitoring and enables you to simulate different listening environments, so you don’t have to listen to mixes on your car, consumer computer speakers, and home stereo to check how the music sounds with different systems. Instead, you can adjust the Eris monitors’ response and test your mixes without leaving your studio. No other monitors in this price class offer this degree of control.
Safety Matters
Any loudspeaker is subject to an assortment of environmental and performance problems, and Eris monitors offer protection from most common of these. RF shielding protects against radio frequencies that could be induced into the signal and become audible. (If you’ve ever heard a radio broadcast unexpectedly coming out of a guitar amp, that’s the result of RF interference.)
Eris monitors also provide over-temperature protection to avoid heat-related issues, current-output limiting (to prevent damage should there be a short circuit on the speaker terminals), and subsonic protection to filter out extremely low-frequency vibrations that could interfere with the woofer’s performance.
Finally, Eris’ power amplifiers have a “soft startup” so that you don’t get damaging pops in the speakers when you power them up.
Sound Thinking
By now, it should be clear that Eris-series speakers deliver a lot more than you would expect from a budget-priced studio monitors. As you expect from PreSonus, they use quality components, are well constructed, and deliver professional audio quality. They’re lightweight and compact and look as professional as they sound.
But what really sets them apart from comparably priced systems are user controls that allow you to tailor the speakers’ response to your needs.
Features:
- Presonus Eris E8 Professional High Definition Home Studio Active Monitor
- 8-inch (E8) Kevlar® low-frequency transducer
- 1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer
- 70 (E5) /130 watt (E8), Class AB biamplification
- Front-firing acoustic port for superior bass-frequency reproduction
- Midrange (±6 dB, continuously variable), HF (±6 dB, continuously variable), High-Pass (Off, 80 Hz, 100 Hz) and Acoustic Space settings (flat, -2, -4 dB) for accurate mixing contour
- RF interference, output current limiting, over-temperature, transient, and subsonic protection
- Optimized, resonance-suppressing internal bracing
- Balanced XLR/¼-inch and unbalanced RCA inputs
- 105 dB (E8) maximum continuous SPL
Details:
| Eris E8 | |
| Inputs | |
| 1- Balanced XLR | |
| 1- Balanced ¼” TRS | |
| 1- Unbalanced RCA | |
| Performance | |
| Frequency Response | 35 Hz - 22 kHz |
| Crossover Frequency | 2.2 kHz |
| LF Amplifier Power | 75W |
| HF Amplifier Power | 65W |
| Peak SPL (@ 1 meter) | 105 dB |
| LF Driver | 8” Kevlar |
| HF Driver | 1.25” silk dome |
| Input Impedance | 10 kO |
| User Controls | |
| Volume Range | A-type taper |
| MF Control | -6, 0, +6 dB |
| HF Control | -6, 0, +6 dB |
| Low Cut | Flat, 80 Hz, 100 Hz |
| Acoustic Space | Flat, -2 dB, -4 dB |
| Protection | |
| RF interference | |
| Output-current limiting | |
| Over-temperature | |
| Turn-on/off transient | |
| Subsonic filter | |
| External mains fuse | |
| Power | |
| 100-120V ~50/60 Hz or 220-240V ~50/60 Hz | |
| Cabinet | |
| Vinyl-laminated, medium-density fiberboard | |
| Physical |
Includes:
- Pro-m50 headphones
- Detachable cable
- Soft suede and leather ear cushions (interchangeable)
- Leather hard travel protective case
- Gold plated ¼” adapter
Video of PRO-M50:
Rockville brings you studio quality headphones and at an incredible price with its new PRO-M50 headphones. These are professional grade headphones that are guaranteed to ourperform headphones that cost triple the price! These feature ergonomically designed swiveling cups with interchangeable soft suede or leather finish cushions (included). The ear cups seal tight for excellent sound isolation and minimal bleed. Inside these cups you’ll find 40mm Neodymium drivers delivering accurate audio with an extended frequency range for clear and rich bass, and a full frequency range of mids and highs. These are closed back style headphones specifically designed for studio monitoring. These play back the sound with a flat frequency curve so you can hear your music exactly how it was recorded. With the PRO-M50 you can expect to hear every detail of every song with extreme accuracy. These headphones cover full frequency ranges; even extending a bit past the frequencies that the human ear can hear.
The headband is made of soft leather, offering ultimate comfort even after extended wear. The beautifully designed stainless steel headband frame and arms are strong and durable. A detachable 51” coiled 100% Oxygen Free Copper cable with a gold plated 3.5mm plug is included along with a gold plated ¼” adapter to ensure the best possible signal. A hard leather case is included to store and protect your new investment when you are on the go.
Amazing sound quality will make these your go-to headphones whether in the studio or out and about!
Features:
- Rockville PRO-M50 Studio Headphones w/ Detachable Coil Cable, Case+Extra Ear Pad
- Professional High-Definition Studio Headphones
- 40mm Neodymium drivers
- Ergonomically designed swivel ear cups
- Supreme sound isolation
- Accurate sound reproduction
- Minimal bleed
- Sturdy and durable steel headband and arms
- Soft leather headband cover
- Interchangeable leather and soft suede ear cups covers included
- Detachable 51” coil cable made of 100% Oxygen Free Copper (158” fully extended)
- Gold plated 3.5mm connector
- Gold plated ¼” adapter
- Hard leather carrying case
- Stainless steel headband frame and moving arms are durable and long-lasting
Specifications:
- Style: Closed-Back
- Design: Circumaural
- Transducer Type: Dynamic
- Driver: 40MM
- Sensitivity: 97±3dB
- Impedance: 32ohm
- Frequency Response:10Hz – 25KHz
- Max. Power: 600MW
- Rating Power: 260MW
- Net Weight:290g (with cable)
Features of RDMS6:
- Rockville RDMS6 Studio Desktop Mic Stand with 11.8" Gooseneck and Round Weighted Base
- 11.8” Gooseneck is Stiff and Sturdy Yet Bendable in Any Direction For Extreme Stability and Durability
- 6.5” Heavy-Duty Round Weighted Base Makes This Stand Super Sturdy
- Professional Stand is Perfect for Studio, Podcasting, and Many Other Applications
- Includes Standard Mic Clip for Regular Mics
- 5/8” Threading Fits Any Standard Mic
- Includes a Metal 3/8" to 5/8" Adapter to Support Any Mic Clip or Shock Mount on the Market
- For Condenser Mics – This is Compatible With Any Shock Mount (Rockville Rockshock is Recommended)
- Compatible With Rockville IPS22 Phone/Tablet Holder (Sold Separately in Our Store)
Video of RCM03:
Unboxing Video of RCM03:
Multi-Purpose
Designed for crystal clear capturing of vocals, acoustic and amplified instruments, as well as room reverb. The frequency pick up pattern makes the RCM03 amazing in studio applications.
The aluminum construction makes the RCM03 tough enough for Live sound applications as well!
Multiple connection options!
This microphone can be used in multiple ways. You can connect this to the phantom power of your mixer or you can connect it directly to your computer sound card. We include both cables! We include a cable to connect it to your mixer as well as a cable to connect the mic to your computer!
Quality built inside and out!
The microphone is made of aluminum. It is very rugged and tough like you would expect from any Rockville product. This microphone has a large diaphragm which is what enables our mic to deliver a wider range of high and low frequencies than our competitors. Our frequency range is tested at 30HZ – 20KHZ! The mic sounds crystal clear sound with no distortion!
The PCB (circuit board) uses surface mounted components which is the same method the expensive brands use. We use only top components that under-go extreme testing by our own audio engineers.
The last thing that I need to mention and call out is that our product is very sturdy. Let me explain. When you are recording, you do not want even the slightest noises coming from your mic. The microphone consists of a casing and there is a cartridge inside the case. You do not want that cartridge moving around. We made sure to adjust our mechanism and ensure the cartridge is firmly in place and not creating any unwanted noises.
Best Value
After testing our Rockville condenser mics against mics that cost 300% more money, we found ours to be as good or better than the ones we tested against.
What's Included:
- RCM03
Condenser Microphone (made of aluminum!)
- 100% Copper 10 foot 3.5mm jack to XLR cable to connect mic to your computer or other device
- 100%
Copper 10 foot XLR to XLR cable to connect to any mixer with phantom
power
- Metal
shock mount
- Metal
Anti-wind foam cap
- Owners
Manual
- Warranty
card
Features:
- Rockville RCM03 Pro Studio
Recording Condenser Microphone Mic+Metal Shock Mount
- Aluminum high quality construction
- Polar Pattern: Internally Polarized
Condenser Cardioid Design
- Large diaphragm for smooth, natural
sound and low noise
- Power Requirements: 48V DC phantom
power or computer sound card (can connect to the phantom power channel
of your mixer or can connect to your laptop or computer)
- Uni-directional
- Sensitivity: -27dB±2dB(0dB=1V/Pa
at1kHZ)
- Output impedance: 200Ω±30%(at 1kHz)
- Standard operating voltage: 3V
- Operating voltage range: 1.5V-10V
- Current consumption: less than
500uA
- Voltage deduction characteristic:
within 3dB at 2V
- S/N ratio: More than 24dB
- Frequency Response: 30Hz - 20 KHz
- Fixed Crossover Filter cutoff
frequency: 40Hz---16 KHz
- Load impedance: Greater or = to
1000 Ohms
- Equivalent Noise level: Less than
18dB A (IEC581-5)
- Max. Input SPL: 126dB(THD≤1.0% at
1kHZ)
- Electrical current: Greater than
4.8Ma
- Microphone body net weight:320
Grams (0.7 Pounds)
- Microphone Max.diameter 44mm (1.73”
inches)
- Microphone Length 217mm (8.54”
inches)
- Microphone material: steel grille +
Alluminum (handheld part)
- PCB Layout: Surface mount
- UPC:
- 613815589433
