- (1) AKG D5 Handheld Live Sound Vocal Microphone Dynamic Supercardioid Mic
- (1) Rockville RVMIC1 v2 Pro Tripod Microphone Stand Telescopic Mic Boom+Metal Joints
- (1) Rockville RCXFM20E-B 20 Foot Female to Male XLR Mic Cable Black 100% Copper
Package Includes:
- (1) Brand New EMPATH BLACK 3 Channel DJ Mixer
- (1) New Audio Technica ATH-35 Dynamic Headphone
- (1) New Technical Pro DJ Chair
- (1) Brand New AKG D5 Handheld Vocal Microphone
- (1) New Chauvet DMX Mega Strobe III Light
#1 Authorized Rane Internet Retailer!
Call 646-432-4971 with any questions 10:00 AM - 5:30 PM
The Empath mixer combines the vision of Grandmaster Flash and Rane technology. Compact size, exceptional performance and advanced features set the Empath mixer apart. The Empath is the most able 3-channel, 10" format mixer available. The name implies understanding, awareness and sensitivity to the needs of DJs. The top plate is durable Lexan™.
The Empath meets the requirements of all DJ genres: trance · downtempo · techno · breakbeat · hip-hop · scratch · house · drum & bass · live music · freestyle · reggae · hardcore · chill...
Features Important to DJs
- Universal internal power supply. When traveling, finding power supply adapters is difficult. The Empath accepts 100 to 240 VAC, 50/60 Hz power, for use anywhere in the world without adapters.
- Auto-Gain prevents performance-wrecking swings in program level when changing sources. The music is never too soft or clipped.
- FlexFX™ is a post-fader external stereo effects loop with individual Dry/Wet pan controls for Inputs 1, 2, 3 and the Mic.
- Penny & Giles™ faders are simply the best money can buy. Smooth, accurate and reliable mixing by employing the most respected name in audio faders.
- Two kinds of fader caps are provided for different preferences: soft rubber caps for smooth mixing, and hard plastic caps for fast mixing.
- Flash-Cue allows rapidly selecting Crossfader A-Cue-sum or Crossfader B-Cue-sum with one switch, more complicated on other mixers.
- Multiple Outputs. Nothing is more frustrating than arriving at a club with the wrong cables. Systems may have XLR, TRS or RCA connectors. The Empath provides all 3.
- Low and High headphone tone controls make your headphones sound better.
- Both ¼" and 3.5mm headphone jacks are simultaneously usable. More headphones are compatible with the Empath.
- Two assignable CD triggers work with any CD player with fader start ability.
- Accelerated-Slope™, full-cut, 3-band tone controls are the most flexible and highest quality available.
- Crossfader assign switches allow any Input Channel to be mixed on the A-side, B-side or Post Crossfader.
- Level meters view Stereo Cue, Stereo Master Mix, Split Cue or Main Output signals.
Auto Gain
Auto-Gain looks at the input signal level (black line) and compares it to the ideal or “Target” level (0 dB). With Auto-Gain on, the gain is increased when it’s above -16 dB, and decreased when it goes over the 0 dB Target (red line). A 3 dB increase or decrease in input level results in 1 dB increase/decrease in output level. It turns the gain down at a rate of 32 dB per second, and turns the gain up at a rate of 5.33 dB per second. Once Auto-Gain is active and falls below -16 dB, it is held indefinitely.
The Level is monitored at the Cue point, after the Gain trim and after EQ, but before the channel fader. The Input 1-2-3 Auto-Gain switch affects all three channels or none.
To monitor Auto-Gain with the Cue meter system:
- Set A-CUE-B switch to CUE position.
- Select the desired Cue source.
- Set SPLIT CUE switch to “IN” position.
- Set CUE/MASTER Pan to center position.
- Set meter CUE/MAIN source switch “IN” to CUE.
- The level before Auto-Gain is shown on the left meter.
- The level after Auto-Gain is shown on the right meter.
Set the Input Gain trim so normal input levels result in 0 dB on the meter with or without Auto-Gain engaged.
User Reviews
- Rane makes unmatched quality products. This is my 6th piece of Rane equipment, it's excellent. - John, MD
- Best fader on the market! - Robert, NY
- Love the company and the products. Will only use Rane mixers. - Mark, MD
- I've waited a long time for a Rane quality mixer, now that I have it, the possibilities seem endless. - Gabe, WA
- Best fader on the market! - Robert, NY
- Very rugged, great sound quality, and excellent EQs and sliders. - Late Night Production, CA
- Awesome mixer - nothing else like it on the market. - Steven, MA
- Very good sounding. Clean and sharp. - Justin, CA
- This truly is a great mixer. I've had a few before this and played with a couple more, and none of the others even comes close. - Justin, TX
- Flawless!! - Edwin, OR
- You guys make great gear and I stand by your products. Keep up the quality and I will be happy! - Gregory, CA
- The adjustable crossfaders are especially crisp. the best I've come across. - Johnathan, TN
Empath Specifications
| Parameter | Specification | Conditions/Comments |
| Phono Inputs: | 3 stereo unbalanced | RCA jacks |
| ..........Response | RIAA | ±1 dB |
| ..........Input Impedance | 47.5 kO, 200 pF | 1 kHz |
| ..........Gain | 36 dB | 1 kHz |
| Line Inputs: | 3 stereo unbalanced | RCA jacks |
| .........Input Impedance | 3.4 kO minimum | 1 kHz |
| .........Gain | -12 to +12 dB | 1 kHz |
| .........Tone controls, 3-band | Accelerated-Slope™ | Full cut, see graph |
| Auxiliary Input: | 1 stereo unbalanced | RCA jacks |
| .........Input Impedance | 10 kO | 1 kHz |
| .........Gain | Off to +10 dB | 1 kHz |
| FlexFx Return: | Stereo unbalanced | ¼" TRS jacks |
| .........Input Impedance | 10 kO | 1 kHz |
| .........Gain | Off to +6 dB | 1 kHz |
| Mic Input: | Active balanced | ¼" TRS jack |
| .........Input Impedance | 1022 O | 511 O each leg to ground |
| .........Gain | Off to +50 dB | 1 kHz |
| .........Freq. Response | 20 to 20 kHz | +0, -3 dB, Max gain |
| .........CMRR | >40 dB | 1 kHz, Max gain |
| .........S/N | 76 dB, Re +4 dBu | 20-20k, gain 50 dB |
| .........Tone Control | 2-band, ±12 dB | See graph |
| Main & Booth Output: | Stereo balanced | XLR jacks, ¼" TRS jacks |
| .........Maximum Output | +24 dBu | |
| .........Output Impedance | 100 O balanced each leg | |
| .........Gain | Off to +6 dB | |
| .........Freq. Response | 20 Hz to 30 kHz | +0, -3 dB |
| .........THD+N | 0.05% | Re +4 dBu, 20 kHz BW |
| .........S/N | 88 dB at unity gain | Re +4 dBu, 20 kHz BW |
| Aux Output: | Stereo unbalanced | RCA jacks |
| .........Maximum Output | +20 dBu | |
| .........Output Impedance | 300 O | 1 kHz |
| .........Gain | Off to 0 dB | |
| FlexFX Send: | Stereo unbalanced | ¼" TRS jack |
| .........Output Impedance | 300 O | 1 kHz |
| .........Gain | Off to +6 dB | |
| Headphones: | Stereo | 3.5mm and ¼" TRS jacks |
| .........Power output | 150 mW | 150 O load |
| 1-2-3 Auto-Gain | Automatic gain, inputs 1-3 | max adjust range ±12 dB |
| .........Target | 0 dBu (775 mV) | no gain change |
| .........Threshold | –16 dBu (123 mV) AGC actions starts, Gain holds indefinitely below threshold | |
| .........Ratio | 3:1 | Input : output change |
| .........Gain Increase | 5.33 dB/second | see graph |
| .........Gain Decrease | 32 dB/second | see graph |
| Power Requirement | 100-240 VAC, ±10% | 50/60 Hz, 20 watts |
| Ambient Temperature | 50º C (122º F) maximum | |
| Agency Listing: UL | UL6500 | E193164 |
| ..........cUL (Canada) | CAN/CSAE60065-00 | |
| ..........CE | LVD 73/23/EEC EN60065 | |
| EMI: CE EMC | Directive 89/336/EEC | |
| .........FCC Part 15J | Certified Class B Device | |
| Construction | All Steel | |
| Unit: Size | 13.3"H x 10"W x 3"D | (33.8 x 25.4 x 7.7 cm) |
| ..........Weight: | 9 lb | (4.1 kg) |
| Shipping: Size | 7.75"H x 12.75"W x 19.25"D | (19.7 cm x 32.5 cm x 49 cm) |
| ..........Weight: | 12 lb | (5.5 kg) |
Authorized Audio Technica Dealer!
Fold them up, toss them in their storage pouch & take them on the road. Created especially for field recording and studio tracking/mixing, these compact folding headphones offer beautifully balanced, articulate sound; impressive power-handling; and a lightweight, ergonomic design.
At the heart of each ATH-M35 earpiece, a 40 mm rare-earth neodymium driver offers impressive power handling for tracking sessions. Generously padded circumaural (around-the-ear) ear cups provide acoustic isolation and long-wearing comfort for extended listening sessions; the adjustable headband is also crafted and cushioned for listening comfort. Other premium-quality components include a single-sided cable constructed of ultra-flexible litz wire, and a gold-plated stereo 1/8" connector with strain-relief spring and professional 1/4" adapter.
Features
- Folding construction for compact transport & storage
- 40 mm neodymium drivers & extended frequency response for clear, balanced sound reproduction
- Ideal for field recording, studio tracking and mixing
- Closed-back, around-the-ear design with insulated ear cups for superior isolation
- Ergonomic design with adjustable cushioned headband & soft, padded ear cushions
- Exceptional clarity and sonic accuracy for mixing
- High power handling for tracking sessions
- Sturdy, ultra-flexible litz wire 11' cable
- Gold-plated stereo 1/8" connector with strain-relief spring and screw-on ¼” adapter
Specifications
- Type Closed-back dynamic
- Driver Diameter 40 mm
- Magnet Neodymium
- Voice Coil Copper-clad aluminum wire
- Frequency Response 20-20,000 Hz
- Maximum Input Power 1,600 mW at 1 kHz
- Sensitivity 100 dB
- Impedance 65 ohms
- Weight 7.0 oz (200 g) without cable
- Cable 11' (3.4 m), OFC litz wire, left-side exit
- Connector 1/8" (3.5 mm) with screw-on 1/4" (6.3 mm) adapter
Advantages of purchasing from an authorized seller:
- Best prices - We sell all Audio Technica Products at the minimum advertised price allowed by the manufacturer.
- Full Factory Warranty
- Detailed information of all products
- Lifetime Customer Service by Audio Technica product Experts
- Guaranteed legitimate and authentic merchandise
Please note: If you purchase Audio Technica from an un-authorized seller then you are taking a big risk. You will not have any manufacturers warranty, and there is no guarantee that the item is authentic, brand new, or even working.
Features:
- professional, portable chair
- Comfortable portable seating Reduces fatigue while relieves back and leg stress
- 5 adjustable height settings
- Padded removable back support flips for easy transport and storage
- BLACK Color
- 11 lbs
MAKE AN OFFER, SEE HOW LOW WE CAN GO! AUTHORIZED DEALER!
The Mega Strobe™ III is a 750-watt strobe light featuring two channels of DMX control with variable electronic dimmer, variable electronic flash rate and built-in sound activated programs. Designed for larger venues, this strobe comes with the popular blinder effect, a built-in resettable circuit breaker, adjustable hanging bracket and gel frame.
Includes:
- 1 x DMX Mega Strobe™ III
- 1 x Gel Frame
- 1 x Warranty Card
- 1 x User Manual
Features:
- 2-channel DMX-512 strobe light
- Variable electronic dimmer (0-100%)
- Variable electronic flash rate (0-20fps)
- Blinder / lightning effect
- Includes gel frame and 4-pack of gels (RGBY)
- Built-in sound activated programs
- Built-in resettable circuit breaker (no fuses)
- Manual control of strobe rate and dimmer
Specs:
- Light source: CH-750B 750W 5600K 500hrs
- AC power: 115V/60Hz or 230V/50Hz
- Weight: 10.6lbs (4.7kg)
- Size: 15.2in x 9.3in x 11.3in
386mm x 236mm x 287mm
(Link opens in a new window)
Includes:
- 1 x D5 Microphone
- 1 x SA61 Stand Adaptor
- 1 x Microphone Bag
Description:
Cuts through the mix
The D5 professional dynamic vocal microphone for lead and backing vocals delivers a powerful sound even on the noisiest stage. Its frequency-independent supercardioid polar pattern ensures maximum gain before feedback.
The D5 stands for a crisp sound that cuts through every mix. The dual shock mount eliminates any kind of mechanical noise for trouble-free live use. The audience will hear the pristine sound of your voice! The D5 S has the same mechanical, electrical, and acoustic characteristics as the D5 and features a noiseless on/off switch.
Specifications:
General:
- Audio frequency bandwidth: 70 - 20000 Hz
- Sensitivity: 2.6 mV/Pa
- Electrical impedance: 600 Ohms
- Recommended load impedance: 2000 Ohms
- Polar Pattern: Supercardioid
Dimensions:
- Length: 185 mm
- Diameter: 51 mm
- Net Weight: 320 g
Design
- Body: metal
- Finish: dark stage blue
Audio Output
- Type: Balanced XLR
- Gender: Male
- Contacts: 3-pin
Application:
- Live Vocal
- Live Instrument
Instrument:
- Vocals
- Piano / Strings
- Horns / Woodwinds
How To Set Up Your RVMIC1 V2:
How To Set Up a Dynamic Mic on Your RVMIC1 V2:
How To Connect a Condenser to Your RVMIC1 V2:
How To Set Up a Smartphone/Tablet Mount to Your RVMIC1 V2:
How To Set Up The ISOBOX to Your RVMIC1 V2:
All About Your RVMIC1 V2:
Description:
Introducing the latest iteration of Rockville Audio's microphone stand, the Rockville RVMIC1 v2. This Pro Audio Tripod Microphone Stand is a step up from its predecessor, designed with both the seasoned musician and the passionate beginner in mind.
The RVMIC1 v2 distinguishes itself with a new telescopic boom that provides remarkable versatility allowing a boom adjustment from 25” to 46.5” inches.
Durability is key in any studio or stage equipment, and the v2 doesn't disappoint with its all-metal joints. These upgraded joints promise longevity and stability, so you can focus on your performance without worrying about wear and tear.
Ergonomics is also enhanced with a new hand clutch featuring a more comfortable grip. This design ensures that adjustments are easy on your hands. Speaking of adjustments, the v2 boasts an adjustable height range from 36 inches to a towering 63 inches, catering to any user and any situation.
Compatibility is universal with the standard 3/8-inch threads and included 5/8-inch adapter, ensuring that the RVMIC1 v2 can accommodate a wide range of microphones. The foldable tripod design contributes to the stand's portability, while the included mic clip adds to its ready-to-use appeal.
Steel construction underlines the stand's robust build, yet it remains lightweight at just 4.5 lbs. This is a stand that promises to withstand the rigors of the road without adding burdensome weight to your gear.
Cable management is also thoughtfully addressed with a cable guiding clip, allowing you to run cables along the stand neatly, maintaining a tidy stage or studio space.
The dimensions of the stand's tubing are designed to offer strength and stability without excess bulk. And when the show is over, the stand collapses down to a compact 3 inches by 36 inches, making it a breeze to pack up.
Finished in a sleek black color, the Rockville RVMIC1 v2 Pro Audio Tripod Microphone Stand is not only built to perform but also to fit seamlessly into any stage or studio aesthetic.
In a market flooded with options, the Rockville RVMIC1 v2 stands out by offering a blend of durability, flexibility, and portability, all without sacrificing quality or breaking the bank. Whether you're recording in a professional studio or performing live, this microphone stand is built to elevate your audio experience.
Features:
- Rockville RVMIC1 v2 Pro Audio Tripod Microphone Stand
- V2 has a new telescopic Boom (25" to 46.5") (when collapsed its smaller then the old version, and when extended its significantly longer)
- V2 is upgraded with all metal joints (durable)
- Adjustable Height Range (36" to 63")
- V2 has a new hand clutch with a more comfortable grip
- Standard 3/8 Threads with 5/8 Adapter (Universal Compatibility)
- Foldable Tripod Design (Portable)
- Mic Clip Included
- Steel Construction
- Cable Guiding Clip for running cables along the stand neatly
- Leg Diameter: 0.75 inch
- Top Tube Diameter: 0.67" inch
- Lower Tube Diameter: 0.83 inches
- Boom tube size: 0.67 inch
- Easy adjustment, just turn the clutch and you can raise or lower the stand
- Black Color
- Lightweight (4.5 lbs.)
- Compact Dimensions When Collapsed (3" x 36")
Video of RCXFM20E-B:
- UPC:
- 613815689386
