Package Includes:

• (4) Audio Technica AT2035PK Studio Mic Recording Package-Microphone+Headphones+Boom
• (1) PRESONUS StudioLive SLM AR8C 8 Channel Mixer 8 In/4 Out USB Recording Interface
• (1) Rockville RHPA4 4 Channel Professional Headphone Amplifier Stereo or Mono Amp
• (1) Rockville RCTR106B 6' 1/4'' TRS to 1/4'' TRS Balanced Cable, Black, 100% Copper

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Authorized Audio Technica Dealer!

Description of AT2035PK:

The AT2035PK vocal microphone pack is designed for streamers, podcasters, and other content creators who need a versatile, easy-to-install, easy-to-adjust boom microphone setup. The pack includes an AT2035 cardioid condenser microphone, a pair of ATH-M20x professional monitor headphones and a studio boom arm threaded with a XLR cable.

The adjustable studio boom arm clamps securely to desks, tables and other flat surfaces up to 55 mm (2.2") thick. The boom is equipped with a standard 5/8"-27 thread for easy attachment of the included microphone shock mount, and the XLR cable is threaded internally for a clean appearance and unhindered operation. Offering full 360° rotation and adjustable, spring-stabilized joints, the boom arm repositions quickly for optimal mic placement.

The rugged AT2035 side-address studio condenser microphone delivers exceptional detail and low noise. Equipped with a switchable 80 Hz high-pass filter and 10 dB pad, the AT2035 handles high sound pressure levels with ease. The mic comes with an AT8458 shock mount to attenuate any noise, shock or vibration that’s transmitted through boom. Its analog XLR output connects easily to a digital converter or mixer.

Rounding out the pack are the ATH-M20x pro headphones, part of Audio-Technica’s critically acclaimed M-Series line. With 40 mm drivers tuned for enhanced low-frequency performance and comfortable, sound-isolating earpads, the M20x headphones are perfect for long monitoring sessions.

Features:

AT2035 Cardioid Condenser Microphone

• Large diaphragm for smooth, natural sound and low noise
• High SPL handling and wide dynamic range provide unmatched versatility
• Custom shock mount provides superior isolation
• Switchable 80 Hz high-pass filter and 10 dB pad
• Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source

ATH-M20x Professional Monitor Headphones

• Advanced build quality and engineering
• 40 mm drivers with rare earth magnets and copper-clad aluminum wire voice coils
• Tuned for enhanced low-frequency performance
• Circumaural design contours around the ears for excellent sound isolation in loud environments
• Convenient single-side cable exit

Adjustable Studio Boom Arm

• Full 360° rotation
• Adjustable, spring-stabilized joints with thumbscrews for easy repositioning of the microphone
• Clamps securely to desks, tables and other flat surfaces up to 55 mm (2.2") thick
• Included XLR cable (XLRF to XLRM) extends 3 m (10') from the base of the boom arm
• Internal cable management for clean desk appearance
• Standard 5/8"-27 thread for easy attachment of the included shock mount

Specifications:

• Element: Fixed-charge back plate, permanently polarized condenser
• Polar Pattern: Cardioid
• Frequency Response: 20-20,000 Hz
• Low Frequency Roll-Off: 80 Hz, 12 dB/octave
• Open Circuit Sensitivity:-33 dB (22.4 mV) re 1V at 1 Pa
• Impedance: 120 ohms
• Maximum Input Sound Level: 148 dB SPL, 1 kHz at 1% T.H.D.; 158 dB SPL, with 10 dB pad (nominal)
• Noise: 12 dB SPL
• Dynamic Range (Typical):136 dB, 1 kHz at Max SPL
• Signal-To-Noise Ratio: 82 dB, 1 kHz at 1 Pa
• Phantom Power Requirements: 11-52V DC, 3.8 mA typical
• Switches: Flat, roll-off; 10 dB pad (nominal)
• Weight: 403 g (14.2 oz)
• Dimensions: 170.0 mm (6.69") long, 52.0 mm (2.05") maximum body diameter
• Output Connector: Integral 3-pin XLRM-type
• Accessories Furnished: AT8458 shock mount for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16 threaded adapter; soft protective pouch
• Audio-Technica Case Style: R2

ATH-M20x Headphones Specifications:

• Type: Closed-back dynamic
• Driver Diameter: 40 mm
• Magnet: Neodymium
• Voice Coil: Copper-clad aluminum wire
• Frequency Response: 15 – 20,000 Hz
• Maximum Input Power: 700 mW at 1 kHz
• Sensitivity: 96 dB
• Impedance: 47 ohms
• Weight: 190 g (6.7 oz), without cable and connector
• Cable: 3.0 m (9.8'), straight, left-side exit
• Accessories Included: 6.3 mm (1/4") snap-on adapter

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Advantages of purchasing from an authorized seller:

• Best prices - We sell all Audio Technica Products at wholesale prices
• Full Factory Warranty
• Detailed information of all products
• Lifetime Customer Service by Audio Technica product Experts
• Guaranteed legitimate and authentic merchandise

Please note: If you purchase Audio Technica from an un-authorized seller then you are taking a big risk. You will not have any manufacturers warranty, and there is no guarantee that the item is authentic, brand new, or even working.

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Description of SLMAR8C:

Podcasting and home recording, simplified
With its instantly familiar analog mixer design, the StudioLive® AR8c is the easiest way to record podcasts, live streams, and music productions. Featuring a pristine analog front-end with four high-gain XMAX mic preamps and an 8x4 24-bit, 96 kHz, USB-C compatible USB 2.0 audio interface, the StudioLive AR8c’s hybrid design makes it simple to record from a single intuitive console. Add in tools like a musical 3-band analog EQ, mic/line boost for low-level broadcast microphones and consumer devices, Bluetooth® connectivity, and a stereo SD recorder... and you have a broadcasting and recording powerhouse that fulfills the needs of both modern musicians and content creators.

A full-featured audio interface.

 

 

The channel that does it all… even Bluetooth connectivity!
The unique Super Channel can handle four stereo sources at once and makes it easy to integrate consumer devices into your studio workflow. Connect a turntable to the RCA inputs, use the ⅛-inch stereo input to plug in your smartphone, or forget the cable and connect it via Bluetooth wireless technology. You can also toggle between a stereo playback stream from your computer and playback from the onboard SD recorder, making it simple to add bumpers and sound effects to your podcast in real-time, or practice along with your favorite recordings.

 

 

Effects without latency
Monitoring with reverb and delay helps to create better recordings. Any vocalist or guitarist will tell you that a little reverb makes them feel more at ease while performing. The StudioLive AR8c mixer’s onboard effects processor lets you add high-quality reverb, delay, or chorus to any channel for a professional monitor mix. Like what you hear in your headphones? Record the Main Mix and capture the effects mix, too with or without the dry channels to blend with your multi track recording. Experiment in post-production to your heart's content.

 

 

Features:

        Recording

 

 

Specifications:

Microphone Preamp
Type: XLR Female, Class A XMAX
Maximum Input level (unity gain): +9 dBu ±1.0 dB
Gain Control Range: 43 dB (+12 to +55 dB)
Frequency Response to Analog Outputs: 20 Hz to 20 kHz, +0.5/-1.5 dB
Frequency Response to USB (Direct): 20 Hz to 20 kHz, +0.5/- 1.5 dB
S/N Ratio to Outputs (+4 dBu): 94 dB
THD+N (min. gain, A-wtd): < 0.01%
Input Impedance: 1 kΩ
EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, A-wtd): Mono Channels: < 128 dBu
Common Mode Rejection Ratio (1 kHz, +55 dB gain): 65 dB
Phantom Power: +48V, ±3V, Global

Instrument Inputs
Type: ¼” TS Female, Unbalanced, Hi-Z
Maximum Input Level (min. gain, 1 kHz@0.5% THD+N): +9 dBu ±1.0 dB
Gain Control Range: 43 dB, ±1 dB (+12 to +55 dB)
Frequency Response to Analog Outputs: 20 Hz to 20 kHz, +0.5/-1.5 dB
Frequency Response to USB (Direct): 20 Hz to 20 kHz, +0.5/-1.5 dB
Dynamic Range (min. gain, A-wtd): > 105 dB
Dynamic Range (mid. Gain, unwtd): > 108 dB
THD+N (1 kHz, -1 dBFS, A-wtd): < 0.01%
THD+N (1 kHz, -1 dBFS, unwtd): < 0.01%
Input Impedance: > 1 MΩ

Line Inputs
Type: ¼” TRS Female, Balanced
Maximum Input Level (min. gain, 1 kHz@0.5% THD+N): +26 dBu ±1.0 dB
Gain Control Range: Mono Channels: 40 dB, ±1 dB (-5 to +35 dB), Stereo Channels: 0 dB or +10 dB (+10 dB Boost)
Frequency Response to Analog Outputs: 20 Hz to 20 kHz, +0.5/-1.5 dB
Frequency Response to USB (Direct): 20 Hz to 20 kHz, +0.5/-1.5 dB
S/N Ratio to Analog Outputs (+4 dBu): 85 dB
THD+N (1 kHz, -1 dBFS, A-wtd): < 0.01%
Input Impedance (Balanced): 10 kΩ

Main, Control Room, Monitor, and FX Outputs
Type (Main Outputs): XLR Male, Impedance Balanced
Type (Control Room, Monitor, FX Outputs): ¼” TRS Female, Balanced
Rated Output Level (Main Outputs): +24 dBu, ±1.0 dB
Rated Outputs Level (Control Room, Monitor, FX Outputs): +18 dBu
Frequency Response: 20 Hz to 20 kHz, +0.5/-1.5 dB
Dynamic Range (A-wtd): > 108 dB
THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd): < 0.01%
Output Impedance: 100 Ω

Headphone Output
Type: ¼” TRS Female, Stereo, Unbalanced
Maximum Output Level: 150 mW/channel @ 60 Ω
Frequency Response: 20 Hz to 20 kHz, +0.5/-1.5 dB
Dynamic Range (A-wtd): > 103 dB
THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd): < 0.01%

System Crosstalk
Input to Output (Ref = +4dBu, 20 Hz to 20 kHz, unwtd): -90 dBu
Adjacent Channels (Ref = +4 dBu, 20 Hz to 20 kHz, unwtd): -85 dBu

Signal Level LED
Signal: -30 dBFS (pre-EQ)
Clip: -3.0 dB before clip (pre- or post-EQ)

Channel EQ
Low Cut: 100 Hz, -18 dB/Octave
High Shelving: ±15 dB @ 10 kHz
Mid Peaking (Mono Channels): ±15 dB @ 140 Hz to 3.5 kHz (variable)
Mid Peaking (Stereo Channels): ±15 dB @ 2.5 kHz
Mid-Band Q: Boost: 1.0, Cut: 2.5
Low Shelving: ±15 dB @ 100 Hz

Digital Audio
Host Interface: USB 2.0
ADC Dynamic Range (Component): 114 dB
ADC Dynamic Range (Measured: A-wtd, 48 kHz): 105 dB
DAC Dynamic Range (Component): 114 dB
DAC Dynamic Range (Measured: A-wtd, 48 kHz): 105 dB
Signal-to-Noise (a-weighted): -96 dB
Bit Depth: 24-bit
Internally Supported Sample Rates: 44.1, 48, 88.2, 96 kHz
Jitter: < 80 ps RMS (20 Hz – 20 kHz)
Jitter Attenuation:  > 60 dB (1 ns in => 1 ps out)

SD Recorder
Supported Media Format: FAT16 formatted SD™ card, FAT32 formatted SDHC™ card
Media Storage Capacity: SD card: 2 GB; SDHC card: 32 GB
Recording File Format: Stereo WAV
Playback File Formats: Stereo WAV, MP3 (96-320 kbs, 32 / 44.1 / 48 kHz)
Sampling Rate (WAV): 44.1 kHz
Bit Depth: Recording: 24-bit, Playback: 16- or 24-bit

Power/Environmental
Connector: IEC
Input Voltage Range: 90 to 240 VAC
Recommended Ambient Operating Temperature: 0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit

Included Studio Magic Plug-ins

• Ableton Live Lite
• Arturia Analog Lab Lite
  
• Brainworx bx-opto Compressor
  
• Brainworx bx_rockrack 
  
• Cherry Audio Voltage Nucleus 
  
• iZotope Neutron Elements 
  
• Klanghelm SDRR2tube compressor 
  
• KV331 Audio Synthmaster Player 
  
• Lexicon MPX-i Reverb
  
• Maag Audio EQ2
  
• Melodics rehearsal tool
  
• Native Instruments REPLIKA
  
• Output Movement
  
• SPL Attacker Plus
  
• Studio Linked Trophies
  
• UJAM Virtual Drummer 2 PHAT
  
• UVI Model D Piano

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Video of RCTR106B:

Description:

All Rockville pro audio cables are made with 100% copper which boosts the efficiency of the cable. There is nothing better than 100% copper. Most of the cheaper cables on the market do not use 100% copper, instead they make their cables with CCA (Copper Clad Aluminum). CCA cables do not perform on the level that 100% copper cables perform at. CCA will not conduct signals efficiently. A 12 gauge CCA cable will not even perform as well as a 14 gauge 100% pure copper cable, which will in turn, affect the performance and longevity of your equipment. If you find cables on the market that do not mention the copper content, there is a good chance that they are selling you a cheaper cable that is CCA and not 100% copper. Rockville pays an inspection company to oversee the manufacturing of the product to ensure that we provide a 100% Oxygen Free Copper Cable (OFC). Our OFC cables are less prone to oxidation, and will provide maximum signal transfer.

The other important factor of a cable is the shielding. Most of the good brands on the market have about 85% shielding coverage, so we decided to take our shielding a step further. Rockville cables are shielded with a tight copper mesh, covering 90% of the cable! The high percentage of coverage increases the ability to absorb the Electromagnetic Interference (EMI) and Radio Frequency Interference (RFI) that suppresses signal and degrades the performance of equipment. Rockville Cable’s copper shielding provides great flexibility, maintains a durable structural integrity, while decreasing signal interference ensuring enhanced signal clarity with every use.

Features:

• Rockville RCTR106 Nickel-Plated, 1/4'' TRS to 1/4'' TRS Balanced Cable
• 100% Copper Conductors for Enhanced Signal Clarity
• OFC Spiral Shield for Effective EMI and RFI Rejection and Flexibility
• Length: 6 Ft
• Color: Black

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How to Set Up your RHPA4:

Video of RHPA4:

Includes:

• Headphone amplifier
• USB charging cable with charging brick
• Owners-manual
• Warranty card

Applications:

• Studio recording
• Podcasting
• Bands
• And more!

Features:

• Rockville RHPA4 4-Channel Professional Headphone Amplifier
• Inputs: ¼” and 3.5 mm input
• Stereo or Mono switch
• We include (4) ¼” TRS and (4) 3.5 mm headphone outputs run in parallel which means you can actually run 8 headphones (2 per channel)
• 4 Outputs each output has individual volume controls
• Thick metal shell casing
• High quality potentiometer knobs for each channel
• Power "On” LED.
• DC 5V USB power supply has low power consumption
• BUS powered means you can get power to the unit from a power bank or through the USB on a computer or laptop
• Rubber feet

Specifications:

• Input Impedance: 22K ohm
• Max. Input Level: +22dB
• Output Impedance: Min. 16Ohm
• Max. Gain: 20dB/Channel
• S/N Ratio: >98dB
• Frequency Response: 20 - 20 kHz
• S/N Ratio: > 90dB (ref 0dBu)
• THD: < 0.01%
• Power supply: 5VDC, >=1000mA via USB Power Adaptor
• Dimensions: 4.6” x 3” x 2.36”
• Weight: 0.85 Lbs
• 0dBu = 0.775Vrms

Owner's Manual